{"id":11681,"date":"2011-06-13T12:21:41","date_gmt":"2011-06-13T12:21:41","guid":{"rendered":"http:\/\/blogs.oulipo.net\/qc\/?page_id=11681"},"modified":"2011-06-13T12:21:43","modified_gmt":"2011-06-13T12:21:43","slug":"chapitre-3-%e2%80%94-listes","status":"publish","type":"page","link":"https:\/\/blogs.oulipo.net\/qc\/description-du-sonnet-francais\/chapitre-3-%e2%80%94-listes\/","title":{"rendered":"Chapitre 3 \u2014 Listes"},"content":{"rendered":"


\n<\/span>1 <\/span><\/span>Liste des premiers quatrains<\/strong><\/span><\/span><\/p>\n

Pour chaque type de quatrains du dispositif formel, je note dans cette liste le premier exemple rencontr\u00e9 dans le choix. On remarque<\/span><\/p>\n


\n(i) Tous les quatrains b\u00e2tis sur les deux m\u00eames rimes (Q1 \u00e0 Q18) sont attest\u00e9s
\n(ii) Il en est de m\u00eame des quatrains \u00e0 quatre rimes (Q55 \u00e0 Q63)
\n(iii) Des 36 types de quatrains sur trois rimes (Q19 \u00e0 Q54) moins de la moiti\u00e9 (16) sont pr\u00e9sents<\/span><\/p>\n

deux rimes<\/em><\/span><\/span><\/p>\n


\nQ1 <\/span><\/span>aabb aabb<\/strong><\/span><\/span> 1825,1 <\/span><\/span>Jacques-Dominique Harman<\/strong><\/span><\/span> <\/span><\/span><\/p>\n

Sur un tr\u00f4ne \u00e9clatant de gloire et de <\/span><\/span>cl\u00e9mence<\/strong><\/span><\/span><\/span>
\nAppara\u00eet un Bourbon, \u00e9gide de la <\/span><\/span>France<\/strong><\/span><\/span><\/span>
\nSuccesseur de Louis, le Solon de nos <\/span><\/span>lois<\/strong><\/span><\/span><\/span> ,
\nIl marche sur les pas du mod\u00e8le des <\/span><\/span>rois<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nDu fa\u00eete des grandeurs, par sa <\/span><\/span>munificence<\/strong><\/span><\/span><\/span>,
\nOn le voit chaque jour secourir l\u2019<\/span><\/span>indigence<\/strong><\/span><\/span><\/span> :
\nRalliant les Fran\u00e7ais aux accords de sa <\/span><\/span>voix,<\/strong><\/span><\/span><\/span>
\nSa bont\u00e9 les accueille et les touche \u00e0 la <\/span><\/span>fois<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ2 <\/span><\/span>aabb abab<\/strong><\/span><\/span> 1842,11 <\/span><\/span>Louise Colet<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>J’aime les vieux manoirs, ruines <\/span><\/span>f\u00e9odale<\/strong><\/span><\/span><\/span>s
\nQui des rocs escarp\u00e9s dominent les <\/span><\/span>d\u00e9dales<\/strong><\/span><\/span><\/span>;
\nJ’aime du haut des tours de leur sombre <\/span><\/span>prison<\/strong><\/span><\/span><\/span>
\nA voir se d\u00e9rouler un immense <\/span><\/span>horizon<\/strong><\/span><\/span><\/span>; <\/span><\/span><\/p>\n


\nJ’aime, de leur chapelle en parcourant les <\/span><\/span>dalles<\/strong><\/span><\/span><\/span>,
\nA lire les <\/span><\/span>ci-g\u00eet<\/em><\/span><\/span> couronn\u00e9s de <\/span><\/span>blason,<\/strong><\/span><\/span><\/span>
\nEt qui gardent encor la trace des <\/span><\/span>sandales <\/strong><\/span><\/span><\/span>
\nDes p\u00e8lerins lointains venus en <\/span><\/span>oraison.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nQ3 <\/span><\/span>aabb abba<\/strong><\/span><\/span> 1820,1 <\/span><\/span>Sourdon de la Coretterie<\/strong><\/span><\/span><\/p>\n

Toi qui n’\u00e9tais plus homme avant de te <\/span><\/span>conna\u00eetre<\/strong><\/span><\/span><\/span>!
\nQui perdis, en naissant, le flambeau de ton <\/span><\/span>\u00eatre<\/strong><\/span><\/span><\/span>!
\nToi pour qui de l’amour les soins et les <\/span><\/span>soupirs<\/strong><\/span><\/span><\/span>
\nSont des jeux inconnus, ainsi que ses <\/span><\/span>d\u00e9sirs<\/strong><\/span><\/span><\/span>! <\/span><\/span><\/p>\n


\nAu sein des volupt\u00e9s toi qui conduis ton <\/span><\/span>ma\u00eetre<\/strong><\/span><\/span><\/span>,
\nEt qui, sans t’\u00e9mouvoir, t\u00e9moin de ses <\/span><\/span>plaisirs<\/strong><\/span><\/span><\/span>,
\nTra\u00eenes des jours sevr\u00e9s de tendres <\/span><\/span>souvenirs!<\/strong><\/span><\/span><\/span>
\nGardien de la beaut\u00e9! Son vil tyran <\/span><\/span>peut-\u00eatre!<\/strong><\/span><\/span><\/span><\/p>\n


\nQ4 <\/span><\/span>aabb baab<\/strong><\/span><\/span> 1864, 10 <\/span><\/span>Jules de Voris<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span> <\/span><\/span>Alors que nous \u00e9tions jeunes <\/span><\/span>adolescents<\/span><\/span><\/span>
\nEt qu\u2019on nous permettait des doux jeux <\/span><\/span>innocents,<\/span><\/span><\/span>
\nC\u2019est vous que j\u2019embrassais pour sortir de <\/span><\/span>la ronde<\/span><\/span><\/span>,
\nTressaillant sous le poids d\u2019une ivresse <\/span><\/span>profonde.<\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nLoins des fades bavards qui composent le <\/span><\/span>monde<\/span><\/span><\/span>,
\nUn soir, tous deux, tout seuls, timides, <\/span><\/span>rougissants<\/span><\/span><\/span>,
\nEt le c\u0153ur d\u00e9vor\u00e9 de d\u00e9sirs <\/span><\/span>impuissants,<\/span><\/span><\/span>
\nJe vous ai dit, je crois, que j\u2019aimais une <\/span><\/span>blonde<\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nQ5 <\/span><\/span>aabb baba<\/strong><\/span><\/span> 1901,10 <\/span><\/span>Jules Supervielle<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Au cr\u00e9puscule doux, une feuille d’<\/span><\/span>automne<\/span><\/span><\/span>,
\nDevant l’hiver qui vient se lamente et <\/span><\/span>frissonne<\/span><\/span><\/span>,
\nMais avant de mourir, dans l’horizon <\/span><\/span>vermeil,<\/span><\/span><\/span>
\nElle regarde au loin la trace du <\/span><\/span>soleil.<\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nElle pense aux beaux jours, elle songe au <\/span><\/span>r\u00e9veil<\/span><\/span><\/span>
\nDes feuilles au Printemps quand le soleil <\/span><\/span>rayonne,<\/span><\/span><\/span>
\nElle est triste d’entrer dans l’\u00e9ternel <\/span><\/span>sommeil <\/span><\/span><\/span>
\nEt de sentir pleurer l’arbre qu’elle <\/span><\/span>abandonne<\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ6 <\/span><\/span>aabb bbaa<\/strong><\/span><\/span> 1855,2 <\/span><\/span>Marc du Velay <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> D’une p\u00e2leur de mort sa face se <\/span><\/span>voila<\/span><\/span><\/span>.
\nCourb\u00e9 sur le rocher, d’un geste il <\/span><\/span>d\u00e9roula<\/span><\/span><\/span>
\nLe manteau qui volait au bord de son <\/span><\/span>\u00e9paule<\/span><\/span><\/span>
\nEt cacha sous les plis la lyre qui <\/span><\/span>console<\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nSes cheveux, \u00e9clair\u00e9s d’une ardente <\/span><\/span>aur\u00e9ole,<\/span><\/span><\/span>
\nSur l’ab\u00eeme pendaient comme les pleurs d’un <\/span><\/span>saule,<\/span><\/span><\/span>
\nEt sa voix appela par trois fois: <\/span><\/span>Eola!<\/span><\/span><\/span>
\nUne autre voix de loin r\u00e9pondit: me <\/span><\/span>voil\u00e0!<\/span><\/span><\/span><\/p>\n


\nQ7 <\/span><\/span>abab aabb <\/strong><\/span><\/span> 1843,20 (<\/span><\/span>Auguste Barbier<\/strong><\/span><\/span><\/span>)<\/strong><\/span><\/span> ? 1875,11 <\/span><\/span>Ernest P\u00e9rigaud<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> C\u2019est toi, mon doux tr\u00e9sor, c\u2019est toi, ma <\/span><\/span>bien-aim\u00e9e<\/span><\/span><\/span>,
\nPlus fra\u00eeche qu\u2019un matin, plus belle qu\u2019un beau <\/span><\/span>jour<\/span><\/span><\/span>,
\nToi le ravissement de mon \u00e2me <\/span><\/span>charm\u00e9e,<\/span><\/span><\/span>
\nToi mon souci constant et mon plus cher <\/span><\/span>espoir<\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nTa taille est svaelte \u00e0 rendre envoeuse une <\/span><\/span>alm\u00e9e<\/span><\/span><\/span>,
\nTa joue est une fleur, ta l\u00e8vre <\/span><\/span>parfum\u00e9e<\/span><\/span><\/span>
\nSemble un vivant corail, et ton \u0153il, pur <\/span><\/span>miroir,<\/span><\/span><\/span>
\nBrille comme un \u00e9clair de feu dans le ciel <\/span><\/span>noir<\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ8 <\/span><\/span>abab abab<\/strong><\/span><\/span> 1801,2 <\/span><\/span>Viviand Bellerive<\/strong><\/span><\/span><\/p>\n

Fille auguste du ciel, \u00f4 paix tant <\/span><\/span>d\u00e9sir\u00e9e<\/strong><\/span><\/span><\/span> !
\nAbaisse enfin sur nous tes consolans <\/span><\/span>regards<\/strong><\/span><\/span><\/span>,
\nAbandonne l\u2019Olympe o\u00f9 tu t\u2019es <\/span><\/span>retir\u00e9e<\/strong><\/span><\/span><\/span> :
\nL\u2019humanit\u00e9 t\u2019appelle au sein de nos <\/span><\/span>rempars<\/strong><\/span><\/span><\/span> ! <\/span><\/span><\/p>\n


\nFais envier ton r\u00e8gne \u00e0 l\u2019Europe <\/span><\/span>\u00e9gar\u00e9e<\/strong><\/span><\/span><\/span>,
\nSucc\u00e9der le repos aux jeux sanglans de <\/span><\/span>Mars<\/strong><\/span><\/span><\/span>,
\nEt que chez les Fran\u00e7ais ton olive <\/span><\/span>sacr\u00e9e<\/strong><\/span><\/span><\/span>
\nRanime l\u2019industrie et r\u00e9chauffe les <\/span><\/span>arts<\/strong><\/span><\/span><\/span> !<\/span><\/span><\/p>\n


\nQ9 <\/span><\/span>abab abba<\/strong><\/span><\/span> 1832,2 <\/span><\/span>Leger No\u00ebl<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span> <\/span><\/span>Bl\u00e2meras-tu, Philis, l’audace de ces <\/span><\/span>vers …<\/strong><\/span><\/span><\/span>
\nTu peux les lire, au moins, sans que ton front <\/span><\/span>rougisse.<\/strong><\/span><\/span><\/span>
\nJe ne viens point pleurer sur un bien que je <\/span><\/span>perds;<\/strong><\/span><\/span><\/span>
\nEt ton bonheur m’arrache un cruel <\/span><\/span>sacrifice<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nQuoiqu’en proie \u00e0 l’amour, et captif dans tes <\/span><\/span>fers,<\/strong><\/span><\/span><\/span>
\nNe crains plus que mon coeur t’expose mon <\/span><\/span>supplice<\/strong><\/span><\/span><\/span>;
\nSi de mes maux encor il faut que je <\/span><\/span>g\u00e9misse<\/strong><\/span><\/span><\/span>,
\nMes larmes couleront dans l’ombre des <\/span><\/span>d\u00e9serts<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ10 <\/span><\/span>abab baab<\/strong><\/span><\/span> 1829,7 <\/span><\/span>Alfred de Musset<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Que j’aime le premier frisson d’hiver! le <\/span><\/span>chaume<\/strong><\/span><\/span><\/span>,
\nSous le pied du chasseur, refusant de <\/span><\/span>ployer!<\/strong><\/span><\/span><\/span>
\nQuand vient la pie aux champs que le foin vert <\/span><\/span>embaume<\/strong><\/span><\/span><\/span>,
\nAu fond du vieux ch\u00e2teau s’\u00e9veille le <\/span><\/span>foyer;<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nC’est le temps de la ville. \u2013 Oh! Lorsque l’an <\/span><\/span>dernier<\/strong><\/span><\/span><\/span>,
\nJ’y revins, que je vis ce bon Louvre et son <\/span><\/span>d\u00f4me<\/strong><\/span><\/span><\/span>,
\nParis et sa fum\u00e9e, et tout ce beau <\/span><\/span>royaume<\/strong><\/span><\/span><\/span>
\n(J’entends encore au vent les postillons <\/span><\/span>crier<\/strong><\/span><\/span><\/span>),<\/span><\/span><\/p>\n


\nQ11 <\/span><\/span>abab baba<\/strong><\/span><\/span> 1818,3 <\/span><\/span>A.Poujol<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> A l’immuable paix, il est deux grands <\/span><\/span>obstacles<\/strong><\/span><\/span><\/span>;
\nL’ambition cruelle et l’orgueil des <\/span><\/span>humains:<\/strong><\/span><\/span><\/span>
\nPour franchir ces \u00e9cueils, il faudrait <\/span><\/span>des miracles<\/strong><\/span><\/span><\/span>,
\nTant ils ont \u00e9bloui les vaillans <\/span><\/span>souverains<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nJadis on vit aux cieux, parmi les <\/span><\/span>Ch\u00e9rubins<\/strong><\/span><\/span><\/span>,
\nLa superbe monter aux supr\u00eames <\/span><\/span>pinacles,<\/strong><\/span><\/span><\/span>
\nEt vouloir s’arroger les attributs <\/span><\/span>divins,<\/strong><\/span><\/span><\/span>
\nTant l’esprit de grandeur se compla\u00eet aux <\/span><\/span>spectacles<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ12 <\/span><\/span>abab bbaa<\/strong><\/span><\/span> 1875,12 <\/span><\/span>Ernest P\u00e9rigaud<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> C\u2019\u00e9tait le soir , battant ses rives <\/span><\/span>d\u00e9sol\u00e9es<\/span><\/span><\/span>,
\nAvec un bruit plaintif imitant les <\/span><\/span>sanglots<\/span><\/span><\/span>,
\nLe torrent s\u2019enfuyait\u00a0; des lueurs <\/span><\/span>\u00e9toil\u00e9es<\/span><\/span><\/span>
\nVoltigeaient en tremblant \u00e0 la c\u00eeme des <\/span><\/span>flots<\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nL\u2019\u00e9cume jaillissante \u00e9tendait sur les <\/span><\/span>eaux<\/span><\/span><\/span>
\nSon \u00e9charpe d\u2019argent\u00a0; ainsi que des <\/span><\/span>troupeaux<\/span><\/span><\/span>
\nQue l\u2019\u00e9pouvante chasse en bandes <\/span><\/span>affol\u00e9es<\/span><\/span><\/span>,
\nLes vagues en fureur couraient <\/span><\/span>\u00e9chevel\u00e9es.<\/span><\/span><\/span><\/p>\n


\nQ13 <\/span><\/span>abba aabb<\/strong><\/span><\/span> 1858 4 <\/span><\/span>M.Modelon<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Qui, moi? faire un sonnet? J’en ai si peu <\/span><\/span>l’envie!<\/span><\/span><\/span>
\nPuis, un sonnet sur quoi? sur ce qu’il me <\/span><\/span>plaira?<\/span><\/span><\/span>
\nFort bien! essayons! Puis, advienne que <\/span><\/span>pourra<\/span><\/span><\/span>
\nDu sonnet, le premier que je fais de ma <\/span><\/span>vie!<\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nQu’en dites-vous, ami? Vous riez, je <\/span><\/span>parie<\/span><\/span><\/span>,
\nDe me voir me creuser pour une rime en <\/span><\/span>ie<\/em><\/span><\/span><\/span>,<\/span><\/span><\/span>
\nQue doit suivre bient\u00f4t une autre rime en<\/span><\/span> <\/em><\/span><\/span>ra<\/em><\/span><\/span><\/span>.<\/span><\/span><\/span>
\nEncore un h\u00e9mistiche! et puis la chose <\/span><\/span>ir<\/span><\/span><\/span>a.<\/span><\/span><\/p>\n


\nQ14 <\/span><\/span>abba abab<\/strong><\/span><\/span> 1811,2 <\/span><\/span>P.L.Guinguen\u00e9<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Je vais seul et pensif, des champs les plus <\/span><\/span>d\u00e9serts,<\/strong><\/span><\/span><\/span>
\nA pas tardifs et lents, mesurant <\/span><\/span>l’\u00e9tendue,<\/strong><\/span><\/span><\/span>
\nPr\u00eat \u00e0 fuir, sur le sable aussit\u00f4t qu’\u00e0 ma <\/span><\/span>vue<\/strong><\/span><\/span><\/span>
\nDe vestiges humains quelques traits sont <\/span><\/span>offerts<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nJe n’ai que cet abri pour y cacher mes <\/span><\/span>fers<\/strong><\/span><\/span><\/span>,
\nPour br\u00fbler d’une flamme aux mortels <\/span><\/span>inconnue:<\/strong><\/span><\/span><\/span>
\nOn lit trop dans mes yeux, de tristesse <\/span><\/span>couverts<\/strong><\/span><\/span><\/span>,
\nQuelle est en moi l’ardeur de ce feu qui me <\/span><\/span>tue.<\/strong><\/span><\/span><\/span><\/p>\n


\nQ15 <\/span><\/span>abba abba<\/strong><\/span><\/span> 1802,1 <\/span><\/span>Juan Laurencin<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>L’esp\u00e9rance est pour l’homme un filtre <\/span><\/span>merveilleux;<\/strong><\/span><\/span><\/span>
\nOtez \u00e0 son esprit l’\u00e9lan de l’<\/span><\/span>esp\u00e9rance<\/strong><\/span><\/span><\/span>,
\nEt l’homme doit ha\u00efr sa p\u00e9nible <\/span><\/span>existence<\/strong><\/span><\/span><\/span>;
\nPar l’esp\u00e9rance il peut quelquefois \u00eatre <\/span><\/span>heureux.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nTromp\u00e9 le plus souvent dans l’objet de ses <\/span><\/span>voeux<\/strong><\/span><\/span><\/span>,
\nLe bonheur lui sourit dans la moindre <\/span><\/span>apparence<\/strong><\/span><\/span><\/span>,
\nLe sort aggrave-t-il aujourd’hui sa <\/span><\/span>souffrance?<\/strong><\/span><\/span><\/span>
\nIl s’en consolera; demain il ira <\/span><\/span>mieux<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ16 <\/span><\/span>abba baab<\/strong><\/span><\/span> <\/span><\/span>1838,8 <\/span><\/span>Hippolyte de La Morvonnais<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Je ne sais qui me porte \u00e0 peindre tout <\/span><\/span>cela<\/strong><\/span><\/span><\/span>,
\nMais malgr\u00e9 moi, mon vers coule \u00e0 sa <\/span><\/span>destin\u00e9e<\/strong><\/span><\/span><\/span>;
\nC’est l\u00e0 ma mission. \u2013 Seras-tu <\/span><\/span>fortun\u00e9e,<\/strong><\/span><\/span><\/span>
\nMa mission d’amour? Suis-je ici, suis-je <\/span><\/span>l\u00e0?<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nToujours quelque d\u00e9tail que rec\u00e8le une <\/span><\/span>ann\u00e9e<\/strong><\/span><\/span><\/span>
\nVoisine du berceau, m’arrive, et me <\/span><\/span>voil\u00e0<\/strong><\/span><\/span><\/span>
\nLaissant courir ma plume; or qui donc m’<\/span><\/span>appela<\/strong><\/span><\/span><\/span>
\nA cette oeuvre o\u00f9 s’en va mon \u00e2me <\/span><\/span>abandonn\u00e9e<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ17 <\/span><\/span>abba baba<\/strong><\/span><\/span> 1832, 3 <\/span><\/span>A.Mathieu<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Silence. Taisez-vous, \u00e9ternels <\/span><\/span>discoureurs!<\/strong><\/span><\/span><\/span>
\nComment sonder le fond de cet ab\u00eeme <\/span><\/span>immense?<\/strong><\/span><\/span><\/span>
\nSi la guerre civile en un \u00e9tat <\/span><\/span>commence<\/strong><\/span><\/span><\/span>,
\nQui peut marquer son terme et pr\u00e9voir ses <\/span><\/span>horreurs?<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nMais quand un peuple entier bondit comme en <\/span><\/span>d\u00e9mence<\/strong><\/span><\/span><\/span> <\/span><\/span><\/span>
\nQuand hurlent des combats les cris <\/span><\/span>avant-coureurs<\/strong><\/span><\/span><\/span>
\nHeureux qui des vertus conservant la <\/span><\/span>semence<\/strong><\/span><\/span><\/span>,
\nReste pur, comme avant, des coupables <\/span><\/span>erreurs!<\/strong><\/span><\/span><\/span><\/p>\n


\nQ18 <\/span><\/span>abba bbaa<\/strong><\/span><\/span> 1855, 8 <\/span><\/span>Jules Marchesseau<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nJe dansais avec vous, vous qu’en tremblant je <\/span><\/span>nomme<\/strong><\/span><\/span><\/span>;
\nVous me disiez: ‘ J’ai vu R*** <\/span><\/span>aujourd’hui.<\/strong><\/span><\/span><\/span>\u00a0\u00bb
\nEt, si de trop d’\u00e9clat vos yeux bleus n’avaient <\/span><\/span>lui<\/strong><\/span><\/span><\/span>,
\nJe vous eusse cont\u00e9 le propos d’un grand <\/span><\/span>homme<\/strong><\/span><\/span><\/span>: <\/span><\/span><\/p>\n


\n– Un jour qu’en Ib\u00e9rie il allait, plein d’<\/span><\/span>ennui<\/strong><\/span><\/span><\/span>,
\nC\u00e9sar, voyant un bourg pauvre et laid devant <\/span><\/span>lui<\/strong><\/span><\/span><\/span>,
\nDit \u00e0 ses compagnons: \u00ab\u00a0J’aimerais mieux, en <\/span><\/span>somme<\/strong><\/span><\/span><\/span>,
\nEtre ici le premier que le second \u00e0 <\/span><\/span>Rome<\/strong><\/span><\/span><\/span>.\u00a0\u00bb<\/span><\/span><\/p>\n


\n<\/span><\/span><\/p>\n

Trois rimes<\/em><\/span><\/span><\/p>\n


\nQ19 <\/span><\/span>aabb aab’b’<\/strong><\/span><\/span> 1881,11 <\/span><\/span>Paul Marrot<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Mes a\u00efeules ont cru pendant des mille <\/span><\/span>ann\u00e9es<\/strong><\/span><\/span><\/span>
\nQue l’\u00e2me, \u00e9tant divine, avait des <\/span><\/span>destin\u00e9es;<\/strong><\/span><\/span><\/span>
\nC’est pourquoi, d\u00e9go\u00fbt\u00e9 d’un monde <\/span><\/span>bestial,<\/strong><\/span><\/span><\/span>
\nParfois, j’ai des rappels vers un monde <\/span><\/span>id\u00e9al.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nMes a\u00efeux ont compris apr\u00e8s des mille <\/span><\/span>ann\u00e9es <\/strong><\/span><\/span><\/span>
\nQu’on les trompait par des chim\u00e8res <\/span><\/span>surann\u00e9es,<\/strong><\/span><\/span><\/span>
\nQue les sermons \u00e9taient des farces; c’est <\/span><\/span>pourquoi<\/strong><\/span><\/span><\/span>
\nJ’ai senti l’ironie \u00e9clore et rire en <\/span><\/span>mo<\/strong><\/span><\/span><\/span>i.<\/span><\/span><\/span><\/p>\n


\nQ20 <\/span><\/span>aabb ab’ab’ <\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ21 <\/span><\/span>aabb ab’b’a<\/strong><\/span><\/span> 1878,4 <\/span><\/span>Charles Soullier<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Mon corps n’a que cinq pieds, mais il a de l’<\/span><\/span>ampleur<\/strong><\/span><\/span><\/span>;
\nCar il peut contenir quinze enfants dans son <\/span><\/span>coeur<\/strong><\/span><\/span><\/span>.
\nD’abord: – sur deux, je suis une note en <\/span><\/span>musique;
\n<\/strong><\/span><\/span><\/span> – Un vin d\u00e9licieux; – une monnaie <\/span><\/span>antique<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nSur trois: – un \u00e9tabli; chez l’Anglais le mot <\/span><\/span>sieur<\/strong><\/span><\/span><\/span>;
\n– Un tissu sans duvet; – une trace <\/span><\/span>l\u00e9g\u00e8re<\/strong><\/span><\/span><\/span>;
\n– Un \u00e9l\u00e9ment de vie; – une mesure <\/span><\/span>agraire<\/strong><\/span><\/span><\/span>;
\n– La col\u00e8re; un sourire agr\u00e9able ou <\/span><\/span>moqueur<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ22 <\/span><\/span>aabb bba’a’ <\/strong><\/span><\/span><\/p>\n


\nQ23 <\/span><\/span>aabb ba’ba’ <\/strong><\/span><\/span><\/p>\n


\nQ24 <\/span><\/span>aabb ba’a’b<\/strong><\/span><\/span> 1842,10 <\/span><\/span>Henri-Victor Drouaillet<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Sur le blanc mausol\u00e9e o\u00f9 repose <\/span><\/span>Mercoeur<\/strong><\/span><\/span><\/span>,
\nJe lisais ces deux vers qui m’all\u00e8rent au <\/span><\/span>coeur<\/strong><\/span><\/span><\/span>:
\nLa victime du si\u00e8cle est l\u00e0 sur cette <\/span><\/span>tombe<\/strong><\/span><\/span><\/span>:
\nAnath\u00e8me au vautour et paix \u00e0 la <\/span><\/span>colombe<\/strong><\/span><\/span><\/span>! <\/span><\/span><\/p>\n


\nCeci me fit r\u00eaver; lorsque la feuille <\/span><\/span>tombe<\/strong><\/span><\/span><\/span>,
\nMe dis-je, nul ne sait o\u00f9 le vent la <\/span><\/span>conduit<\/strong><\/span><\/span><\/span>;
\nAinsi la gloire, apr\u00e8s le jour descend la <\/span><\/span>nui<\/strong><\/span><\/span><\/span>t.
\nL’astre \u00e0 peine lev\u00e9 qu’il p\u00e2lit, qu’il <\/span><\/span>succombe<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ25 <\/span><\/span>aabb a’bba’ <\/strong><\/span><\/span>1880,4<\/span><\/span> Cabriol<\/strong><\/span><\/span><\/p>\n

Potard potassant <\/span><\/span>beaucoup<\/span><\/span><\/span>
\nDes<\/span><\/span> combles<\/em><\/span><\/span> l’e<\/span><\/span>xorbitance<\/span><\/span><\/span>
\nIl comble son <\/span><\/span>existence<\/span><\/span><\/span>
\nD’<\/span><\/span>\u00e0 peu pr\u00e8s<\/em><\/span><\/span> faits coup sur <\/span><\/span>coup<\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nCe qu’il vous sert un <\/span><\/span>rago\u00fbt<\/span><\/span><\/span>
\nD’absurdisme avec <\/span><\/span>prestance<\/span><\/span><\/span>
\nC’est un r\u00eave … pour la <\/span><\/span>stance<\/span><\/span><\/span>
\nRim\u00e9e, il a peu de <\/span><\/span>go\u00fbt<\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ26 <\/span><\/span>aabb a’ba’b<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ27 <\/span><\/span>aabb a’a’bb<\/strong><\/span><\/span> 1801,1 <\/span><\/span>(<\/span><\/span>Michel de<\/strong><\/span><\/span>) <\/span><\/span>Cubi\u00e8res, jeune<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span>Imitation du sonnet italien<\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nSuspends, h\u00e9ros illustre, au temple de la <\/span><\/span>gloire<\/strong><\/span><\/span><\/span>,
\nL’acier \u00e9tincelant qui fonda ta <\/span><\/span>victoire<\/strong><\/span><\/span><\/span>,
\nEt que ton jeune front, qu’ombragent les <\/span><\/span>lauriers<\/strong><\/span><\/span><\/span>,
\nServe \u00e9ternellement de phare \u00e0 nos <\/span><\/span>guerriers<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nIl est temps que le monstre \u00e9chapp\u00e9 du <\/span><\/span>Tartare<\/strong><\/span><\/span><\/span>,
\nQui forgea contre toi plus d’un projet <\/span><\/span>barbare,<\/span><\/span><\/span>
\nSur les rives du Stix, encha\u00een\u00e9 <\/span><\/span>d\u00e9sormais<\/strong><\/span><\/span><\/span>,
\nTe laisse ouvrir enfin le Temple de la <\/span><\/span>Paix<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ28 <\/span><\/span>aabb b’aab\u2019<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ29 <\/span><\/span>aabb b’ab’a<\/strong><\/span><\/span><\/p>\n


\nQ30 <\/span><\/span>aabb b’b’aa <\/strong><\/span><\/span><\/p>\n


\nQ31 <\/span><\/span>abab aab’b’<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ32 <\/span><\/span>abab ab’ab’<\/strong><\/span><\/span> 1855,4 <\/span><\/span>Marc du Velay<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> O mon fils! Ne sois plus triste. Dis-moi, qu’<\/span><\/span>importe <\/strong><\/span><\/span><\/span>
\nCes luths toujours muets \u00e0 tes murs <\/span><\/span>suspendus<\/strong><\/span><\/span><\/span>;
\nLes pierres des m\u00e9chants pleuvant contre ta <\/span><\/span>porte<\/strong><\/span><\/span><\/span>,
\nEt tes meilleurs amis au tombeau <\/span><\/span>descendus<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n


\nCoursier sans frein, le temps, dans sa fuite t’<\/span><\/span>emporte<\/strong><\/span><\/span><\/span>,
\nIl franchit au galop un pays <\/span><\/span>d\u00e9vast\u00e9:<\/strong><\/span><\/span><\/span>
\nN’arr\u00eate pas tes yeux sur cette terre <\/span><\/span>morte<\/strong><\/span><\/span><\/span>,
\nRegarde seulement le but: l’<\/span><\/span>\u00e9ternit\u00e9<\/strong><\/span><\/span><\/span>!<\/span><\/span><\/p>\n


\nQ33 <\/span><\/span>abab ab’b’a<\/strong><\/span><\/span> 1970,3 <\/span><\/span>Adolphe Haberer<\/strong><\/span><\/span><\/p>\n


\n\u00ab\u00a0Qi vit ici? \u00a0\u00bb Cris d’ibis <\/span><\/span>vifs<\/span><\/span><\/span>.
\n\u00ab\u00a0Qi vit? \u00a0\u00bb Lys, iris gris, <\/span><\/span>vit-il?<\/span><\/span><\/span>
\nCris (bis) vils; six pics <\/span><\/span>incisifs<\/span><\/span><\/span>.
\n\u00a0\u00bb S’il y vit, fils d’Isis <\/span><\/span>viril<\/span><\/span><\/span>?<\/span><\/span><\/p>\n


\nSi vit Lilith? \u00a0\u00bb Il vit nid d’<\/span><\/span>if<\/span><\/span><\/span>,
\nN’y prit d’instinct l’incivil <\/span><\/span>lit<\/span><\/span><\/span>,
\nNi inscrivit l’infini <\/span><\/span>pli<\/span><\/span><\/span>.
\n(Ci-g\u00eet l’incipit <\/span><\/span>instinctif<\/span><\/span><\/span>) <\/span><\/span><\/p>\n


\nQ34 <\/span><\/span>abab bba’a’ <\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ35 <\/span><\/span>abab ba’ba’<\/strong><\/span><\/span> 1905,4 <\/span><\/span>Dathan de Saint-Cyr<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nEst-il rien de plus doux, rempli de plus de <\/span><\/span>charme<\/strong><\/span><\/span><\/span>,
\nQue l’enfant du ciel bleu, le beau petit <\/span><\/span>oiseau<\/strong><\/span><\/span><\/span>?
\nPouvez-vous contempler, sans verser une <\/span><\/span>larme<\/strong><\/span><\/span><\/span>,
\nLes petits piaillant au fond de leur <\/span><\/span>berceau<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n


\nVoyez se balancer, sur le bord du <\/span><\/span>ruisseau,<\/strong><\/span><\/span><\/span>
\nConstruit avec tant d’art, ce nid d’herbe et de <\/span><\/span>mousse<\/strong><\/span><\/span><\/span>,
\nQu’agit mollement le vent dans le <\/span><\/span>roseau<\/strong><\/span><\/span><\/span>,
\nImprimant \u00e0 l’arbuste une douce <\/span><\/span>secousse<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ36 <\/span><\/span>abab ba’a’b <\/strong><\/span><\/span> 1866,6 <\/span><\/span>Louis Goujon<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Le sifflet retentit dans la gare <\/span><\/span>sonore<\/strong><\/span><\/span><\/span>,
\nEt le convoi s’\u00e9branle; – un bruit lourd, <\/span><\/span>infernal<\/strong><\/span><\/span><\/span>,
\nRoule et court sur les rails; la route se <\/span><\/span>d\u00e9vore<\/strong><\/span><\/span><\/span>,
\nEt le monstre de fer suit son rouge <\/span><\/span>fanal<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nAllumons un cigare et lisons mon <\/span><\/span>journal;<\/strong><\/span><\/span><\/span>
\nQuand tout sera fini j’entrerai dans ma <\/span><\/span>chambre.<\/strong><\/span><\/span><\/span>
\nD’ailleurs, le temps est long quand on est en <\/span><\/span>d\u00e9cembre<\/strong><\/span><\/span><\/span>,
\nEt que notre voisin est g\u00eanant ou <\/span><\/span>banal<\/strong><\/span><\/span><\/span> …<\/span><\/span><\/p>\n


\nQ37 <\/span><\/span>abab a’bba’ <\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ38 <\/span><\/span>abab a’ba’b<\/strong><\/span><\/span> 1806,1 <\/span><\/span>Alexandre Sonnerat <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Agent trop criminel du tyran <\/span><\/span>Robespierre<\/strong><\/span><\/span><\/span>,
\nBourreau de mon pays, inf\u00e2me <\/span><\/span>dictateur<\/strong><\/span><\/span><\/span> !
\nAvant de terminer ta coupable <\/span><\/span>carri\u00e8re<\/strong><\/span><\/span><\/span>,
\nLaisse entrer un moment le remords dans ton <\/span><\/span>c\u0153ur<\/strong><\/span><\/span><\/span> !
\nContemple, malheureux, la suite de tes <\/span><\/span>crimes<\/strong><\/span><\/span><\/span> !
\nVois le Rh\u00f4ne fr\u00e9mir et reculer d\u2019<\/span><\/span>horreur<\/strong><\/span><\/span><\/span> !
\nSes flots ensanglant\u00e9s ont roul\u00e9 tes <\/span><\/span>victimes<\/strong><\/span><\/span><\/span>
\nVivant pour la patrie et, mourant pour <\/span><\/span>l\u2019honneur.<\/strong><\/span><\/span><\/span><\/p>\n


\nQ39 <\/span><\/span> abab a’a’bb <\/strong><\/span><\/span><\/p>\n


\nQ40 <\/span><\/span>abab b’aab’ <\/strong><\/span><\/span><\/p>\n


\nQ41 <\/span><\/span>abab b’ab’a <\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span>Q42 <\/span><\/span>abab b’b’aa<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ43 <\/span><\/span>abba aab’b’<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ44 <\/span><\/span>abba ab’ab’<\/strong><\/span><\/span> 1858,11 (<\/span><\/span>Henri Dubellay<\/strong><\/span><\/span><\/span>)<\/strong><\/span><\/span> ? 1928,6 <\/span><\/span>Odilon-Jean P\u00e9rier<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span>Rien – qu’un paysage <\/span><\/span>pris <\/strong><\/span><\/span><\/span>
\nPage vide – pure <\/span><\/span>estampe<\/strong><\/span><\/span><\/span>,
\nEntre tes yeux et la <\/span><\/span>lampe<\/strong><\/span><\/span><\/span>
\nSeule \u00e0 lui donner du <\/span><\/span>prix<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nRien qu’un d\u00e9chirant <\/span><\/span>esprit<\/strong><\/span><\/span><\/span>
\nDe neige et de <\/span><\/span>solitude,<\/strong><\/span><\/span><\/span>
\nMes chants que tu as <\/span><\/span>surpris<\/strong><\/span><\/span><\/span>
\nPar une amicale <\/span><\/span>\u00e9tude<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nQ45 <\/span><\/span>abba ab’b’a<\/strong><\/span><\/span> 1836,6 <\/span><\/span>Alfred de Vigny<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span> Esprit parisien! \u2013 D\u00e9mon du Bas-<\/span><\/span>Empire<\/strong><\/span><\/span><\/span>,
\nVieux Sophiste \u00e9puis\u00e9 qui bois, toutes les <\/span><\/span>nuits<\/strong><\/span><\/span><\/span>,
\nComme un vin dont l’ivresse engourdit les <\/span><\/span>ennuis<\/strong><\/span><\/span><\/span>,
\nLes gloires du matin, la meilleure et la <\/span><\/span>pire<\/strong><\/span><\/span><\/span>; <\/span><\/span><\/p>\n


\nFroid niveleur, moulant, aussit\u00f4t qu’il <\/span><\/span>expire<\/strong><\/span><\/span><\/span>,
\nLe pl\u00e2tre d’un grand homme ou bien d’un <\/span><\/span>assassin<\/strong><\/span><\/span><\/span>,
\nLeur mesurant le cr\u00e2ne, et, dans leur vaste <\/span><\/span>sein<\/span><\/span><\/span>,
\nPoussant jusques au coeur ta l\u00e8vre de <\/span><\/span>vampire<\/strong><\/span><\/span><\/span>;<\/span><\/span><\/p>\n


\nQ46 <\/span><\/span>abba bba’a’<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ47 <\/span><\/span>abba ba’ba’<\/strong><\/span><\/span> 1866,5 <\/span><\/span>Louis Goujon<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>On lit sur un poteau plant\u00e9 pr\u00e8s de <\/span><\/span>l’octroi:<\/strong><\/span><\/span><\/span>
\n\u00ab\u00a0D\u00e9fense \u00e0 l’indigent de demander l’<\/span><\/span>aum\u00f4ne<\/strong><\/span><\/span><\/span>\u00a0\u00bb
\nHier, je vis passer un spectre \u00e0 face <\/span><\/span>jaune<\/strong><\/span><\/span><\/span>,
\nHideux comme la faim, morne comme <\/span><\/span>l’effroi<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nDe son feutre crasseux qui fut, jadis, en <\/span><\/span>c\u00f4ne<\/strong><\/span><\/span><\/span>,
\nS’\u00e9chappaient par vingt trous ses cheveux droits et <\/span><\/span>longs;<\/span><\/span><\/span>
\nSon cou se h\u00e9rissait d’une barbe de <\/span><\/span>faune<\/strong><\/span><\/span><\/span>,
\nSes souliers cr\u00e9pitants craquaient sous ses <\/span><\/span>talons<\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ48 <\/span><\/span>abba ba’a’b <\/strong><\/span><\/span>1855,3 <\/span><\/span>Marc du Velay<\/strong><\/span><\/span> <\/strong><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Madame, j’aime fort les ch\u00e2teaux en <\/span><\/span>Espagne<\/span><\/span><\/span>,
\nSeul au coin de mon feu j’en b\u00e2tis <\/span><\/span>quelquefois<\/span><\/span><\/span>;
\nMais je n’en fais jamais d’aussi charmants, <\/span><\/span>je crois<\/span><\/span><\/span>,
\nQue notre humble chaumi\u00e8re au fond de la <\/span><\/span>Bretagne<\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nElle est toute de joncs, de mousse, et je la <\/span><\/span>vois<\/span><\/span><\/span>
\nSi bien, qu’assez souvent j’esp\u00e8re en ce beau <\/span><\/span>r\u00eave<\/span><\/span><\/span>;
\nEt je me dis: peut-\u00eatre, au bord de quelque <\/span><\/span>gr\u00e8ve<\/span><\/span><\/span>
\nEst-il un doux abri que Dieu fit pour nous <\/span><\/span>trois<\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nQ49 <\/span><\/span>abba a’bba\u2019 <\/strong><\/span><\/span>1897,20 <\/span><\/span>L\u00e9opold Dauphin<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Comme s\u2019il \u00e9veillait, Juillet, sous une <\/span><\/span>lune,<\/strong><\/span><\/span><\/span>
\nQuelques fils-de-la-vierge et les para\u00eet d\u2019<\/span><\/span>argent<\/strong><\/span><\/span><\/span>,
\nVoici que tout l\u2019\u00e9t\u00e9 (d\u00e9j\u00e0 lui\u00a0!) <\/span><\/span>submergeant<\/strong><\/span><\/span><\/span>
\nTon front pur, de cheveux gris te pare, ma <\/span><\/span>brune<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nEt malgr\u00e9 moi, je songe aux futures <\/span><\/span>parures<\/span><\/span><\/span>
\nDont le ciel, exau\u00e7ant plus tard mon v\u0153u <\/span><\/span>galant<\/strong><\/span><\/span><\/span>
\nOrnera ta beaut\u00e9. Moins que ton c\u0153ur si <\/span><\/span>blanc,<\/strong><\/span><\/span><\/span>
\nBlanche sera ta neige \u00e0 l\u2019ombre des <\/span><\/span>guipures<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ50 <\/span><\/span>abba a’ba’b<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ51 <\/span><\/span>abba a’a’bb<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nQ52 <\/span><\/span>abba b’aab’<\/strong><\/span><\/span> 1874,19 <\/span><\/span>Dubosc de Pesquidoux<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nVous restez au pays de l\u2019\u00e9ternel <\/span><\/span>printemps<\/strong><\/span><\/span><\/span>,
\nEt je fuis le rivage. Adieu mes belles <\/span><\/span>f\u00e9es<\/strong><\/span><\/span><\/span> !
\nEn chantant avec vous la chanson des <\/span><\/span>Orph\u00e9es<\/strong><\/span><\/span><\/span>,
\nJ\u2019ai cueilli par vos mains les roses au beau <\/span><\/span>temps. <\/strong><\/span><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span><\/span> Vous \u00eates l\u2019id\u00e9al, et versez l\u2019<\/span><\/span>ambroisie<\/strong><\/span><\/span><\/span>
\nAvec l\u2019urne des dieux aux \u00e2mes de vingt <\/span><\/span>ans<\/strong><\/span><\/span><\/span>,
\nVous \u00eates la jeunesse et ses rayons <\/span><\/span>flottants<\/strong><\/span><\/span><\/span> :
\nLa jeunesse\u00a0! Je pars, et ne l\u2019ai pas <\/span><\/span>saisie<\/strong><\/span><\/span><\/span> \u2026 )<\/span><\/span><\/p>\n


\nQ53 <\/span><\/span>abba b’ab’a<\/strong><\/span><\/span> 1843 11 <\/span><\/span>Th. Wains-des-Fontaines<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> C’est \u00e0 l’heure o\u00f9 l’on voit la temp\u00eate et l’<\/span><\/span>orage<\/strong><\/span><\/span><\/span>
\nBouleverser les mers, – que l’Alcyon <\/span><\/span>plaintif<\/strong><\/span><\/span><\/span>,
\nS’\u00e9lan\u00e7ant tout-\u00e0-coup du sommet d’un <\/span><\/span>r\u00e9cif<\/strong><\/span><\/span><\/span>,
\nAux pales nautonniers annonce le <\/span><\/span>naufrage<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nII <\/span><\/span><\/p>\n


\nCe n’est pas cependant qu’il aime les <\/span><\/span>\u00e9clairs<\/strong><\/span><\/span><\/span>;
\nQu’il aime voir la foudre et les vents, dans leur <\/span><\/span>rage<\/strong><\/span><\/span><\/span>,
\nDe leurs affreux combats \u00e9pouvanter les <\/span><\/span>airs<\/strong><\/span><\/span><\/span>,
\nEt de tristes d\u00e9bris joncher au loin la <\/span><\/span>plage<\/strong><\/span><\/span><\/span>;<\/span><\/span><\/p>\n


\nQ54 <\/span><\/span>abba b’b’aa<\/strong><\/span><\/span> <\/span><\/span><\/p>\n

Quatre rimes<\/em><\/span><\/span><\/p>\n


\n<\/em><\/span><\/span>Q55 <\/span><\/span>aabb a’a’b’b’ <\/strong><\/span><\/span> 1839,10 <\/span><\/span>Fran\u00e7ois Ponsard<\/strong><\/span><\/p>\n


\nSoit que paisible au sein du foyer <\/span><\/span>domestique<\/strong><\/span><\/span><\/span>,
\nVous nous rajeunissiez le gyn\u00e9c\u00e9e <\/span><\/span>antique,<\/strong><\/span><\/span><\/span>
\nEt qu’ouvrant votre coeur \u00e0 la douce <\/span><\/span>piti\u00e9<\/strong><\/span><\/span><\/span>,
\nVous charmiez le malheur par des mots d’<\/span><\/span>amiti\u00e9<\/strong><\/span><\/span><\/span>; <\/span><\/span><\/p>\n


\nSoit que vous commandiez, majestueuse et <\/span><\/span>sainte<\/strong><\/span><\/span><\/span>,
\nAu crime audacieux le respect et la <\/span><\/span>crainte<\/strong><\/span><\/span><\/span>,
\n\u00ab\u00a0Et qu’un courroux auguste \u00e9clatant dans votre <\/span><\/span>oeil<\/strong><\/span><\/span><\/span>,
\nDes regards de Sextus fasse baisser l’<\/span><\/span>orgueil<\/strong><\/span><\/span><\/span>\u00ab\u00a0; <\/span><\/span><\/p>\n


\nQ56 <\/span><\/span>aabb a’b’a’b’ <\/strong><\/span><\/span> 1839 8 (<\/span><\/span>Louis Ayma)<\/strong><\/span><\/span><\/span> <\/span><\/span><\/span>? 1900,12 <\/span><\/span>Camille Mauclair<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nEt puis en somme, et malgr\u00e9 <\/span><\/span>tout<\/strong><\/span><\/span><\/span>,
\nQue j’aie \u00e9t\u00e9 mauvais ou <\/span><\/span>fou<\/strong><\/span><\/span><\/span>,
\nVoici des vers et des <\/span><\/span>pens\u00e9es<\/strong><\/span><\/span><\/span>
\nQui vous seront fruits et <\/span><\/span>ros\u00e9es<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nVoici bien des choses <\/span><\/span>blanches,<\/strong><\/span><\/span><\/span>
\nToute lueur qui fut en <\/span><\/span>moi<\/strong><\/span><\/span><\/span>,
\nToute la source qui s’<\/span><\/span>\u00e9panche<\/strong><\/span><\/span><\/span>,
\nEt mon c\u0153ur aride en fait <\/span><\/span>foi<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ57 <\/span><\/span>aabb a’b’b’a’<\/strong><\/span><\/span> 1839,9 <\/span><\/span>Marceline Desbordes-Valmore<\/strong><\/span><\/span> <\/strong><\/span><\/p>\n


\n<\/strong><\/span> Que souvent, aux rayons de tes prunelles <\/span><\/span>noires<\/strong><\/span><\/span><\/span>,
\nAu bruit de ton nom pur et de tes pures <\/span><\/span>gloires<\/strong><\/span><\/span><\/span>,
\nAux magiques p\u00e2leurs dont se voilent <\/span><\/span>parfois<\/strong><\/span><\/span><\/span>
\nLe bonheur sur ton front et le ciel dans ta <\/span><\/span>voix<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nJ’ai dit de cette voix o\u00f9 l’age se <\/span><\/span>devine<\/span><\/span><\/span>,
\nDe ce souffle pudique, et des saintes <\/span><\/span>amours<\/strong><\/span><\/span><\/span>,
\nQu’on \u00e9coute une fois pour l’entendre <\/span><\/span>toujours<\/strong><\/span><\/span><\/span>,
\nQue l’on sent se mouiller d’une larme <\/span><\/span>divine<\/strong><\/span><\/span><\/span>!<\/span><\/span><\/p>\n


\nQ58 <\/span><\/span>abab a’a’b’b’ <\/strong><\/span><\/span> 1864,11 <\/span><\/span>Louis Guibert<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Lorsque fier, souriant au monde, \u00e0 l\u2019<\/span><\/span>avenir<\/strong><\/span><\/span><\/span>,
\nL\u2019homme pose le pied sur le seuil de la <\/span><\/span>vie<\/strong><\/span><\/span><\/span>,
\nTout semble auour de lui chanter et <\/span><\/span>resplendir<\/strong><\/span><\/span><\/span> :
\nSon \u00e2me au grand soleil s\u2019\u00e9panouit <\/span><\/span>ravie<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nVaste comme la mer, pure comme le <\/span><\/span>jour<\/strong><\/span><\/span><\/span>,
\nEt son c\u0153ur palpitant chante un hymne d<\/span><\/span>\u2019amour<\/strong><\/span><\/span><\/span>.
\nPuis, il voit s\u2019effeuiller jour par jour sa <\/span><\/span>jeunesse<\/strong><\/span><\/span><\/span>
\nEt petit \u00e0 petit se dissipe l\u2019<\/span><\/span>ivresse<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ59 <\/span><\/span>abab a’b’a’b’<\/strong><\/span><\/span> 1808,4 <\/span><\/span>Stanislas de Boufflers<\/strong><\/span><\/span><\/p>\n


\nVisite, douce paix\u00a0! la vall\u00e9e <\/span><\/span>\u00e9pineuse<\/strong><\/span><\/span><\/span>
\nQue je parcours pensive, en l\u2019arrosant de <\/span><\/span>pleurs<\/strong><\/span><\/span><\/span>,
\nLoin des sentiers riants o\u00f9 la jeunesse <\/span><\/span>heureuse<\/strong><\/span><\/span><\/span>
\nD\u2019un pied l\u00e9ger foule des <\/span><\/span>fleurs<\/strong><\/span><\/span><\/span> ; <\/span><\/span><\/p>\n


\nAinsi que mon bonheur, que le jour <\/span><\/span>disparaisse,<\/strong><\/span><\/span><\/span>
\nQue la nuit sur le monde \u00e9tende un voile <\/span><\/span>noir<\/strong><\/span><\/span><\/span> ;
\nLe jour, la nuit verront mes pleurs couler sans <\/span><\/span>cesse<\/strong><\/span><\/span><\/span> :
\nMais que servent les pleurs au chagrin sans <\/span><\/span>espoir<\/strong><\/span><\/span><\/span> ? <\/span><\/span><\/p>\n


\nQ60 <\/span><\/span>abab a’b’b’a’<\/strong><\/span><\/span> 1808,2 <\/span><\/span>Stanislas de Boufflers<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Toi qui parais toujours sous les traits qu’on <\/span><\/span>d\u00e9sire<\/strong><\/span><\/span><\/span>,
\nDevant qui semblent fuir la crainte et la <\/span><\/span>douleur<\/strong><\/span><\/span><\/span>,
\nDouce Esp\u00e9rance! viens; viens, et que ton <\/span><\/span>sourire<\/strong><\/span><\/span><\/span>
\nEclaircisse la nuit qui r\u00e8gne dans mon <\/span><\/span>coeur<\/strong><\/span><\/span><\/span>; <\/span><\/span><\/p>\n


\nParle \u00e0 ce coeur, dis-lui (ta voix a tant de <\/span><\/span>charmes!<\/strong><\/span><\/span><\/span>)
\nQu’il peut germer encor pour lui quelque <\/span><\/span>plaisir<\/strong><\/span><\/span><\/span>,
\nQue, pour tromper la peine, ou du moins l’<\/span><\/span>adoucir<\/strong><\/span><\/span><\/span>,
\nL’esprit a sa magie, et l’amiti\u00e9 ses <\/span><\/span>larmes<\/strong><\/span><\/span><\/span>;<\/span><\/span><\/p>\n


\nQ61 <\/span><\/span>abba a’a’b’b’<\/strong><\/span><\/span> 1887,14 <\/span><\/span>Jules Noll\u00e9e<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Chacune de tes fleurs renferme dix <\/span><\/span>baisers<\/strong><\/span><\/span><\/span>
\nQui me sont destin\u00e9s, dis-tu. Totzl\u00a0: <\/span><\/span>soixante<\/strong><\/span><\/span><\/span> !
\nCette somme serait pour tout autre <\/span><\/span>importante<\/strong><\/span><\/span><\/span>
\nEt le mettrait au rang des amoureux <\/span><\/span>ais\u00e9s<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nH\u00e9las\u00a0! de moi le ciel fit un enfant <\/span><\/span>prodigue<\/strong><\/span><\/span><\/span>.
\nJe vis comme un torrent que nulle main n\u2019<\/span><\/span>endigue<\/strong><\/span><\/span><\/span>.
\nPauvre dissipateur, je me trouve aux <\/span><\/span>abois<\/strong><\/span><\/span><\/span>,
\nCar mes l\u00e8vres ont pris le tout en une <\/span><\/span>fois.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nQ62 <\/span><\/span>abba a’b’a’b’<\/strong><\/span><\/span> 1832,4 <\/span><\/span>Fulgence Girard<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Quand la p\u00eache a rempli sa hotte et ses <\/span><\/span>filets<\/strong><\/span><\/span><\/span>,
\nLe mareyeur lass\u00e9 regagne le <\/span><\/span>rivage<\/strong><\/span><\/span><\/span>,
\nFait s\u00e9cher au soleil sa seine sur la <\/span><\/span>plage<\/strong><\/span><\/span><\/span>,
\nEt puis, en attendant le soir, s’endort <\/span><\/span>aupr\u00e8s<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nUne fois qu’il arrive au terme de sa <\/span><\/span>course<\/strong><\/span><\/span><\/span>,
\nSans attendre en marchant la chute de la <\/span><\/span>nuit<\/strong><\/span><\/span><\/span>,
\nLe voyageur s’arr\u00eate, et dans l’eau d’une <\/span><\/span>source<\/strong><\/span><\/span><\/span>,
\nD\u00e9lasse, en les lavant, ses pieds, … et tout est <\/span><\/span>dit<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nQ63 <\/span><\/span>abba a’b’b’a’<\/strong><\/span><\/span> 1808,7 <\/span><\/span>P.J.Charrin<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> J’ai <\/span><\/span>huit pieds<\/em><\/span><\/span>, cher lecteur, et <\/span><\/span>mon tout<\/em><\/span><\/span> fait pour <\/span><\/span>plaire<\/strong><\/span><\/span><\/span>
\nS’il s’offrait \u00e0 tes yeux ma\u00eetriserait ton <\/span><\/span>coeur.<\/strong><\/span><\/span><\/span>
\nTu me nommes souvent pour peindre ton <\/span><\/span>bonheur<\/span><\/span><\/span>,
\nJ’<\/span><\/span>habite<\/em><\/span><\/span> en m\u00eame temps et les <\/span><\/span>cieux<\/em><\/span><\/span> et la <\/span><\/span>terre<\/strong><\/em><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nCherche, et tu trouveras, en me <\/span><\/span>d\u00e9composant<\/strong><\/span><\/span><\/span>
\nD’<\/span><\/span>un peuple<\/em><\/span><\/span> quel qu’il soit la moins brillante <\/span><\/span>classe<\/strong><\/em><\/span><\/span><\/span>,
\n<\/span><\/span>Un meuble<\/em><\/span><\/span> pr\u00e9cieux, duquel on ne se <\/span><\/span>passe<\/strong><\/span><\/span><\/span>
\nSans qu’on y soit contraint par un <\/span><\/span>\u00e9v\u00e9nement<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n

Liste d\u2019octaves (ou quatrains excentriques)<\/strong><\/span><\/p>\n

Les exemples de cette liste comportent les dispositions o\u00f9 un quatrain au moins est sur une seule rime et celles, \u2018excentriques\u2019 o\u00f9 les quatrains ne sont pas autonomes. J\u2019inclus cette fois tous les exemples qui font partie du choix. Je reproduis les octaves du premier de chaque liste. <\/span><\/p>\n

(i) <\/span><\/p>\n

aaaa aaaa\tPaul Jourdy<\/strong><\/span><\/span> 1923,8\u00a0? (exemple douteux\u00a0: les vers du second quatrain ne riment pas classiquement avec ceux du premier)
\n<\/span><\/span>Georges Ju\u00e9ry <\/strong><\/span><\/span> 1950,1\u00a0? (douteux aussi\u00a0: tous les vers de l\u2019octave sont sur le m\u00eame mot-rime\u00a0: \u2018mort\u2019)<\/span><\/span><\/p>\n

aaaa bbbb\tVerlaine<\/strong><\/span><\/span> 1867,13
\n<\/span><\/span>Cabriol<\/strong><\/span><\/span> 1880,23<\/span><\/span><\/p>\n


\nDevant l\u2019ex-Napol\u00e9on-<\/span><\/span>un<\/strong><\/span><\/span><\/span>
\nIl fait, le dimanche <\/span><\/span>matin<\/strong><\/span><\/span><\/span>,
\nRonfler, sous une dextre <\/span><\/span>main<\/strong><\/span><\/span><\/span>,
\nPour charmer maint, et maint et <\/span><\/span>maint <\/strong><\/span><\/span><\/span><\/p>\n


\nNez d\u2019argent, que jadis la <\/span><\/span>treille<\/strong><\/span><\/span><\/span>
\nAvait bourgeonn\u00e9, mainte <\/span><\/span>oreille<\/strong><\/span><\/span><\/span>,
\nAux oreilles de sourd <\/span><\/span>pareill<\/strong><\/span><\/span><\/span>e,
\nL\u2019orgue\u00a0! et pour cela j\u2019<\/span><\/span>appareille<\/strong><\/span><\/span><\/span><\/p>\n


\n<\/span><\/span>Jules Laforgue<\/strong><\/span><\/span> 1883,10
\n<\/span><\/span> Am\u00e9d\u00e9e Rouqu\u00e8s <\/strong><\/span><\/span>1892,10
\n<\/span><\/span>Charles-Adolphe Cantacuz\u00e8ne<\/strong><\/span><\/span> 1901,3 1901,5
\n<\/span><\/span>Louis Bocquet<\/strong><\/span><\/span> 1901,12
\n<\/span><\/span>Henri Fischer<\/strong><\/span><\/span> 1903,1<\/span><\/span><\/p>\n

aaaa a\u2019b\u2019a\u2019b\u2019 \tOlivier Larronde<\/strong><\/span><\/span> 1966,2 <\/span><\/span><\/p>\n


\n<\/span><\/span> Le bruit du pas-de-bruit d’un <\/span><\/span>pa<\/strong><\/span><\/span><\/span>s
\nQu’a-t-il \u00e0 ne nous dire <\/span><\/span>pa<\/strong><\/span><\/span><\/span>s
\nQu’en toi le peu de bruit des <\/span><\/span>pa<\/strong><\/span><\/span><\/span>s
\nFait la rigole d’un tr\u00e9<\/span><\/span>pas<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nR\u00e9fl\u00e9chissons l\u00e0 que <\/span><\/span>poissons<\/strong><\/span><\/span><\/span>
\nPas dans l’eau d’un bonheur sans <\/span><\/span>rex<\/strong><\/span><\/span><\/span>
\nQuand le talon des <\/span><\/span>ultrasons <\/strong><\/span><\/span><\/span>
\nVeut bien circonscrire un <\/span><\/span>inflex<\/strong><\/span><\/span><\/span><\/p>\n

abab a’a’a’a’\tRichard Cantinelli <\/strong><\/span><\/span>1895,10<\/span><\/span><\/p>\n


\n<\/span><\/span> Vicv\u00e2nitra priait. Les nocturnes <\/span><\/span>d\u00e9lices<\/strong><\/span><\/span><\/span>
\nDes songes se fondaient en la splendeur <\/span><\/span>ros\u00e9e<\/strong><\/span><\/span><\/span>
\nDe l’aurore aux cheveux couronn\u00e9s de <\/span><\/span>narcisses<\/strong><\/span><\/span><\/span>,
\nQui s’\u00e9veillait avec des langueurs d’<\/span><\/span>\u00e9pous\u00e9e<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nVicv\u00e2nitra priait et songeait. Les <\/span><\/span>figuiers<\/strong><\/span><\/span><\/span>
\nSous le soleil levant noircissaient <\/span><\/span>enlac\u00e9s<\/strong><\/span><\/span><\/span>:
\nTels des \u00eatres en qui montent les flots <\/span><\/span>press\u00e9s <\/strong><\/span><\/span><\/span>
\nDu sang, sous le contact de lumineux <\/span><\/span>baisers<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n

(ii) Les quatrains sont sur deux rimes\u00a0repr\u00e9sent\u00e9es chacune quatre fois\u00a0; mais dans chaque quatrain l\u2019une d\u2019entre elles est isol\u00e9e. On observera que ces dispositions respectent la \u2018r\u00e8gle de la quadruple rime\u2019 de Gautier. <\/span><\/p>\n

abaa babb\tMusset<\/strong><\/span><\/span> 1835,7 <\/span><\/span><\/p>\n


\n<\/span><\/span> O critique du jour, ch\u00e8re mouche <\/span><\/span>bovine<\/span><\/span><\/span>,
\nQue te voil\u00e0 p\u00e9dante au troisi\u00e8me <\/span><\/span>degr\u00e9!<\/strong><\/span><\/span><\/span>
\nQuel plaisir ce doit \u00eatre, \u00e0 ce que j’<\/span><\/span>imagine<\/strong><\/span><\/span><\/span>,
\nD’aiguiser sur un livre un museau de <\/span><\/span>fouine<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nEt de ronger dans l’ombre un squelette <\/span><\/span>ignor\u00e9!<\/strong><\/span><\/span><\/span>
\nJ’aime \u00e0 te voir surtout, en style de <\/span><\/span>cuisine<\/strong><\/span><\/span><\/span>,
\nTe comparer sans honte au po\u00e8te <\/span><\/span>inspir\u00e9<\/strong><\/span><\/span><\/span>
\nEt gonfler ta grenouille aux pieds du boeuf <\/span><\/span>sacr\u00e9!<\/strong><\/span><\/span><\/span><\/p>\n


\n<\/span><\/span>Verlaine <\/strong><\/span><\/span>1894,14
\n<\/span><\/span>Auguste Angellier<\/strong><\/span><\/span> 1896,3
\n<\/span><\/span>Alberte Solomiac<\/strong><\/span><\/span> 1932,1<\/span><\/span><\/p>\n

aaba bbab\tLevavasseur<\/strong><\/span><\/span> 1843,4<\/span><\/span><\/p>\n


\n<\/span><\/span> <\/span><\/span>Si les plus beaux cheveux du <\/span><\/span>monde <\/strong><\/span><\/span><\/span>
\nMiroitaient sur sa t\u00eate <\/span><\/span>blonde<\/strong><\/span><\/span><\/span>,
\nSon nez, galamment <\/span><\/span>retrouss\u00e9, <\/strong><\/span><\/span><\/span>
\nTaquinait une bouche <\/span><\/span>ronde<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nMain passant, le coeur <\/span><\/span>d\u00e9trouss\u00e9<\/strong><\/span><\/span><\/span>,
\nBaissait les yeux, tout <\/span><\/span>courrouc\u00e9,<\/strong><\/span><\/span><\/span>
\nSous son regard de <\/span><\/span>Fr\u00e9d\u00e9gonde,<\/strong><\/span><\/span><\/span>
\nPiteusement <\/span><\/span>\u00e9clabouss\u00e9.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span>Edouard Pailleron<\/strong><\/span><\/span> 1869,27
\n<\/span><\/span>?<\/strong><\/span><\/span> 1874,6<\/span><\/span><\/p>\n

aaab baaa<\/strong><\/span><\/span> <\/span><\/span>Antoine-Auguste G\u00e9nin<\/strong><\/span><\/span> 1858,3<\/span><\/span><\/p>\n


\n<\/span><\/span> Que de fois, pour charmer le mal qui me <\/span><\/span>d\u00e9vore<\/strong><\/span><\/span><\/span>,
\nJ’ai tromp\u00e9 le sommeil et devanc\u00e9 l’<\/span><\/span>aurore<\/strong><\/span><\/span><\/span>!
\nA poursuivre un regard qu’en vain mon oeil <\/span><\/span>implore<\/strong><\/span><\/span><\/span>,
\nJ’ai perdu bien souvent des soleils tout <\/span><\/span>entiers.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nQue de fois j’ai suivi vos pas dans les <\/span><\/span>sentiers,<\/strong><\/span><\/span><\/span>
\nSeul, occupant mon coeur \u00e0 lui redire <\/span><\/span>encore<\/strong><\/span><\/span><\/span>
\nVos attraits, mon amour, et croyant voir <\/span><\/span>\u00e9clore<\/strong><\/span><\/span><\/span>
\nDes fleurs au doux contact de votre pied <\/span><\/span>sonore!<\/strong><\/span><\/span><\/span><\/p>\n

abbb aaab\tD.Mon <\/strong><\/span><\/span>1886,19<\/span><\/span><\/p>\n


\n<\/span><\/span> C’est l’\u00e9t\u00e9. Le sentier que la ronce <\/span><\/span>enguirlande,<\/strong><\/span><\/span><\/span>
\nO\u00f9 l’\u00e9glantine p\u00e2le et le <\/span><\/span>volubilis<\/strong><\/span><\/span><\/span>
\nAccrochent leurs bouquets aux sombres <\/span><\/span>tamaris<\/strong><\/span><\/span><\/span>,
\nSemble, par le soleil, une fra\u00eeche <\/span><\/span>oasis.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nUn \u00e2non va, tr\u00e8s fier de sa riche <\/span><\/span>provende<\/strong><\/span><\/span><\/span>,
\nPortant l’enfant qui rit, lui parle et le <\/span><\/span>gourmande<\/strong><\/span><\/span><\/span>,
\nJuch\u00e9 haut, entre deux grands paniers de <\/span><\/span>marchande<\/strong><\/span><\/span><\/span>,
\nEmplis et d\u00e9bordant du plus charmant <\/span><\/span>fouillis<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n

aaab bbab\t?<\/strong><\/span><\/span> 91,14<\/span><\/span><\/p>\n


\n<\/span><\/span> Le grand soufflet g\u00e9mit et le noir charbon <\/span><\/span>fume,<\/strong><\/span><\/span><\/span>
\nVoici que le foyer de la forge s’<\/span><\/span>allume<\/strong><\/span><\/span><\/span>,
\nJ’aime le forgeron qui soude sur l’<\/span><\/span>enclume <\/strong><\/span><\/span><\/span>
\nA grands coups de marteau les fers <\/span><\/span>incandescents<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nLe m\u00e9tal ob\u00e9it \u00e0 ses efforts <\/span><\/span>puissants<\/strong><\/span><\/span><\/span>
\nEt son travail joyeux a de m\u00e2les <\/span><\/span>accents.<\/strong><\/span><\/span><\/span>
\nJ’aime aussi l’\u00e9crivain qui soude avec la <\/span><\/span>plume<\/strong><\/span><\/span><\/span>
\nLes mots de notre langue en groupes <\/span><\/span>fr\u00e9missants.<\/strong><\/span><\/span><\/span><\/p>\n

(iii) Les quatrains sont sur deux rimes\u00a0; l\u2019un des quatrains est autonome. Ces dispositions sont dissym\u00e9triques. <\/span><\/p>\n

abab abaa\tAlphonse Duchesne<\/strong><\/span><\/span> 1845,8<\/span><\/span><\/p>\n


\n<\/span><\/span> <\/span><\/span>J\u2019aurais \u00e9t\u00e9 <\/span><\/span>Petrarca<\/strong><\/span><\/span><\/span>
\nSi vous aviez \u00e9t\u00e9 <\/span><\/span>Laure<\/strong><\/span><\/span><\/span>,
\nEt les p\u00e8lerins d\u2019<\/span><\/span>Arqua <\/strong><\/span><\/span><\/span>
\nParleraient de vous <\/span><\/span>encore<\/strong><\/span><\/span><\/span> <\/strong><\/span><\/span><\/span>; <\/span><\/span><\/p>\n


\nSi vous \u00e9tiez <\/span><\/span>Francesca <\/strong><\/span><\/span><\/span>
\nJe serais, moi qu\u2019on <\/span><\/span>ignore<\/strong><\/span><\/span><\/span>,
\nPaolo qui l\u2019<\/span><\/span>adora<\/strong><\/span><\/span><\/span>,
\nEt l\u2019on me crierait\u00a0: <\/span><\/span>Raca<\/strong><\/span><\/span><\/span> !<\/span><\/span><\/p>\n

abaa baba\tMarc du Velay<\/strong><\/span><\/span> 1855,5<\/span><\/span><\/p>\n


\n<\/span><\/span> <\/span>On se sent malheureux: on va chercher bien <\/span><\/span>loin<\/strong><\/span><\/span><\/span>
\nL’\u00e9go\u00efste travail, l’orgueil vain, l’or <\/span><\/span>avare,<\/strong><\/span><\/span><\/span>
\nEt comme on oubl\u00eerait son b\u00e2ton dans un <\/span><\/span>coin<\/strong><\/span><\/span><\/span>,
\nOn laisse \u00e0 la maison le bonheur, cher <\/span><\/span>cousin<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nPourtant c’est ici-bas le tr\u00e9sor le plus <\/span><\/span>rare.<\/strong><\/span><\/span><\/span>
\nNos p\u00e8res nous tra\u00e7aient un paisible <\/span><\/span>destin,<\/strong><\/span><\/span><\/span>
\nMais par d’autres sentiers le hasard nous <\/span><\/span>\u00e9gare<\/strong><\/span><\/span><\/span>,
\nEt nous voudrons, trop tard, suivre le bon <\/span><\/span>chemin<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n

aaba abba\tMarc du Velay<\/strong><\/span><\/span> 1855,7<\/span><\/span> <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Dans un album gothique au fermail <\/span><\/span>blasonn\u00e9,<\/strong><\/span><\/span><\/span>
\nVrai bijou de prie-Dieu, digne du Roi <\/span><\/span>Ren\u00e9<\/strong><\/span><\/span><\/span>,
\nPortant sur son velours, avec ma croix de <\/span><\/span>sable<\/strong><\/span><\/span><\/span>,
\nVotre Lion rampant, de sa couronne <\/span><\/span>orn\u00e9,<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nSur un v\u00e9lin d’azur et d’or <\/span><\/span>enlumin\u00e9<\/strong><\/span><\/span><\/span>,
\nO\u00f9 brilleraient J\u00e9sus et la Bible et la <\/span><\/span>Fable<\/strong><\/span><\/span><\/span>,
\nJe voudrais chaque soir, \u00f4 Baronne <\/span><\/span>adorabl<\/strong><\/span><\/span><\/span>e!
\nFleuron aux cent couleurs dessiner un <\/span><\/span>sonnet<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/span><\/p>\n

(iv) Octaves sur trois rimes\u00a0; chaque quatrain sur deux rimes seulement<\/span><\/p>\n

abbb ab’b’b’ <\/strong><\/span><\/span> <\/span><\/span>Henri Cantel<\/strong><\/span><\/span> 1869,6<\/span><\/span><\/p>\n


\n<\/span><\/span> Aline sommeillait un matin, <\/span><\/span>L\u00e9ona<\/strong><\/span><\/span><\/span>,
\nVoyant la blonde vierge en fleur, et demi-<\/span><\/span>nue<\/strong><\/span><\/span><\/span>,
\nDans ses veines sentit une force <\/span><\/span>inconnue <\/strong><\/span><\/span><\/span>
\nCourir, comme la foudre \u00e9clatant sous la <\/span><\/span>nue. <\/strong><\/span><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span><\/span> Sa folle passion soudain se <\/span><\/span>d\u00e9cha\u00eena;<\/strong><\/span><\/span><\/span>
\nElle trembla, rougit, p\u00e2lit. Ivre et <\/span><\/span>farouche<\/strong><\/span><\/span><\/span>,
\nElle enla\u00e7a sa proie, et lui ferma la <\/span><\/span>bouche<\/strong><\/span><\/span><\/span>
\nD’un baiser. Lors l’enfant se dressa sur sa <\/span><\/span>couche<\/strong><\/span><\/span><\/span>! <\/span><\/span><\/p>\n


\n<\/span><\/span>Cabaner<\/strong><\/span><\/span> 1872,34<\/span><\/span><\/p>\n

aaab a’a’a’b <\/strong><\/span><\/span> <\/span><\/span>Henri Cantel<\/strong><\/span><\/span> 1869,7<\/span><\/span><\/p>\n


\n<\/span><\/span> Puisque la femme est <\/span><\/span>infid\u00e8le<\/strong><\/span><\/span><\/span>,
\nQue son coeur est une <\/span><\/span>hirondelle<\/strong><\/span><\/span><\/span>
\nQui part et brise d’un coup d’<\/span><\/span>aile<\/strong><\/span><\/span><\/span>
\nLe nid de ses <\/span><\/span>amours<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nSans nous donner des airs <\/span><\/span>moroses,<\/strong><\/span><\/span><\/span>
\nN’aimons rien, aimons toutes <\/span><\/span>choses<\/strong><\/span><\/span><\/span>,
\nButinons lys, verveine et <\/span><\/span>roses
\n<\/strong><\/span><\/span><\/span> Qui verdissent <\/span><\/span>toujours<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n

aaab a’a’a’b\t\tErnest d’Hervilly<\/strong><\/span><\/span> 1885,5<\/span><\/span><\/p>\n


\n<\/span><\/span> Pourquoi, dans ces bassins que le <\/span><\/span>gouvernement<\/strong><\/span><\/span><\/span>
\nFait toujours en \u00e9t\u00e9 vider c<\/span><\/span>ompl\u00eatement<\/strong><\/span><\/span><\/span>,
\nL’autorit\u00e9 met-elle avec <\/span><\/span>acharnement<\/strong><\/span><\/span><\/span>
\nUn <\/span><\/span>cygne<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n


\nSerait-ce pour permettre au po\u00e8te <\/span><\/span>r\u00eaveur<\/strong><\/span><\/span><\/span>
\nDe l’\u00e9gorger, afin d’ou\u00efr plein de <\/span><\/span>ferveur<\/strong><\/span><\/span><\/span>
\nSon chant supr\u00eame? Alors, mais c’est une <\/span><\/span>faveur<\/strong><\/span><\/span><\/span>
\n<\/span><\/span>Insigne<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n

aaab ba’a’a’\t\tFran\u00e7ois Dellevaux<\/strong><\/span><\/span> 1898,5<\/span><\/span><\/p>\n


\n<\/span><\/span> Il te fut r\u00e9v\u00e9l\u00e9, ce soir, et t’a <\/span><\/span>bless\u00e9e,<\/strong><\/span><\/span><\/span>
\nL’acte brutal qui pr\u00e9occupe ta <\/span><\/span>pens\u00e9e<\/strong><\/span><\/span><\/span>.
\nOr, c’est l’instant, \u00f4 virginale <\/span><\/span>fianc\u00e9e<\/strong><\/span><\/span><\/span>!
\nDes souhaits \u00e9cout\u00e9s et des voeux <\/span><\/span>accomplis.<\/strong><\/span><\/span><\/span>… <\/span><\/span><\/p>\n


\nSois \u00e0 moi! Le corps seul est d’argile. Le <\/span><\/span>lys<\/strong><\/span><\/span><\/span>,
\nCette royale fleur de puret\u00e9 <\/span><\/span>candide,<\/strong><\/span><\/span><\/span>
\nA besoin, pour pousser son calice <\/span><\/span>splendide<\/strong><\/span><\/span><\/span>,<\/span><\/span><\/span>
\nDu suc vivifiant d’un noir humus <\/span><\/span>sordide:<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n

(v) Octaves et chaque quatrain sur trois rimes<\/span><\/p>\n

abba\u2019 baa\u2019b\t\tAim\u00e9 Passereau<\/strong><\/span><\/span> 1901,13<\/span><\/span><\/p>\n


\nIl a bien su jouer d\u2019une femme <\/span><\/span>docile,<\/strong><\/span><\/span><\/span>
\nEt s\u2019enrichir sans regarder \u00e0 la <\/span><\/span>fa\u00e7on<\/strong><\/span><\/span><\/span>
\nQui dont reconna\u00eetrait sous l\u2019\u00e9clat du <\/span><\/span>blason<\/strong><\/span><\/span><\/span>
\nAchet\u00e9 au Saint-P\u00e8re, un gar\u00e7on de <\/span><\/span>vaisselle<\/strong><\/span><\/span><\/span> ? <\/span><\/span><\/p>\n


\nOn se l\u2019arrache, il est le roi de la \u2019<\/span><\/span>saison<\/strong><\/span><\/span><\/span>\u2019
\nIl assiste \u00e0 tous les d\u00eeners qu\u2019on donne en <\/span><\/span>ville<\/strong><\/span><\/span><\/span>,
\nSon\u00a0luxe \u00e9norme et sa brochette <\/span><\/span>universelle<\/strong><\/span><\/span><\/span>
\nFlattent la vanit\u00e9 des ma\u00eetres de <\/span><\/span>maison<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n

aba\u2019b\u2019 b\u2019a\u2019ab \t\tPierre-Jean Jouve<\/strong><\/span><\/span> 1949,7<\/span><\/span><\/p>\n


\n<\/span><\/span> Dans une contr\u00e9e \u00e9trang\u00e8re
\nEntretien sur ce qui n’est pas:
\nRecherche du Nom sans personne
\nEt de la personne sans nom <\/span><\/span><\/p>\n


\nRecherche des routes sans pont
\nEt de lacs o\u00f9 nulle eau ne sonne
\nDes temples b\u00e2tis sans lumi\u00e8re
\nNuit o\u00f9 le soleil ruissela<\/span><\/span><\/p>\n

abb\u2019a bab\u2019a\t\tRaymond Queneau<\/strong><\/span><\/span> 1969,2<\/span><\/span> <\/span><\/p>\n


\n<\/span> Aller chercher au fond des mers les tr\u00e9sors <\/span><\/span>pirat\u00e9s <\/strong><\/span><\/span><\/span>
\naller chercher au fond des mers les perles noires <\/span><\/span>immenses<\/strong><\/span><\/span><\/span>
\naller chercher au fond des mers les algues <\/span><\/span>enrichissantes<\/strong><\/span><\/span><\/span>
\naller chercher au fond des mers les coquillages <\/span><\/span>contourn\u00e9s <\/strong><\/span><\/span><\/span><\/p>\n


\naller chercher au fond des mers les rares <\/span><\/span>substances <\/strong><\/span><\/span><\/span>
\naller chercher au fond des mers les poussi\u00e8res <\/span><\/span>balay\u00e9es <\/strong><\/span><\/span><\/span>
\naller chercher au fond des mers les feuilles <\/span><\/span>volantes<\/strong><\/span><\/span><\/span>
\naller chercher au fond des mers l’eau des fleuves <\/span><\/span>ass\u00e9ch\u00e9s<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n

(vi) Quatrains lacunaires<\/span><\/p>\n


\n<\/span>Marquis de <\/span><\/span>Pimodan<\/strong><\/span><\/span> 1898,3
\n<\/span><\/span>Nathalie Clifford-Barney<\/strong><\/span><\/span> 1900,4<\/span><\/span><\/p>\n

Premiers exemples dans le choix des dispositions de tercets<\/strong><\/span><\/span><\/p>\n

Toutes les dispositions sont repr\u00e9sent\u00e9es. <\/span><\/p>\n

On voit, d\u2019apr\u00e8s les dates des premi\u00e8res apparitions dans le choix que les formules p\u00e9trarquistes (T36 \u00e0 T41) ne sont attest\u00e9es que tr\u00e8s tardivement (\u00e0 l\u2019exception de T36 qui est employ\u00e9e en 1847, mais dans une traduction de P\u00e9trarque). La raison en est la <\/span>r\u00e8gle d\u2019alternance<\/span><\/span> des rimes, dont la po\u00e9sie fran\u00e7aise ne s\u2019est affranchie qu\u2019\u00e0 la fin du 19<\/span>\u00e8me<\/span><\/sup> si\u00e8cle. De toutes fa\u00e7on, les sonnets exhibant ces formules sont tr\u00e8s peu nombreux. <\/span><\/p>\n


\n<\/span>T1 <\/span><\/span>ccc ccc<\/strong><\/span><\/span> 1857,3 <\/span><\/span>Charles de Nugent<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Le jaloux dont le coeur de noirs tourments <\/span><\/span>fourmille<\/strong><\/span><\/span><\/span>
\nLo\u00fbtrerait(?) vainement au fond d’une <\/span><\/span>bastille<\/strong><\/span><\/span><\/span>
\nLa coquette dont l’oeil <\/span><\/span>p\u00e9tille.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nQue de bure ou de soie elle ait une <\/span><\/span>mantille, <\/strong><\/span><\/span><\/span>
\nToute femme sait coudre, et de fil en <\/span><\/span>aiguille<\/strong><\/span><\/span><\/span>
\nEst sujette \u00e0 la <\/span><\/span>peccadille<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT2 <\/span><\/span>ccc cdd<\/strong><\/span><\/span> 1923, 8 <\/span><\/span>Paul Jourdy<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> In\u00e9l\u00e9gant d’ailleurs autant que <\/span><\/span>militaire<\/strong><\/span><\/span><\/span>,
\nIl r\u00eave pour m\u00e9nage une chambr\u00e9e <\/span><\/span>aust\u00e8re<\/strong><\/span><\/span><\/span>
\nAvec parquets dor\u00e9s o\u00f9 se flanquer par <\/span><\/span>terre<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nO\u00f9 sa dame, align\u00e9e \u00e0 gauche de sa <\/span><\/span>m\u00e8re<\/strong><\/span><\/span><\/span>,
\nAttendrait sa venue au garde-\u00e0-vous <\/span><\/span>parfait<\/strong><\/span><\/span><\/span>
\nEt lui ‘pr\u00e9senterait l’arme’ avec un <\/span><\/span>balai.<\/strong><\/span><\/span><\/span><\/p>\n


\nT3 <\/span><\/span>ccc dcd<\/strong><\/span><\/span> 1885,6 <\/span><\/span>Ernest d’Hervilly <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Non! \u2013 sous l’oeil des moineaux, gros bonhomme sans <\/span><\/span>fiel,<\/strong><\/span><\/span><\/span>
\nL’ours mange du pain bis, et, comme <\/span><\/span>Ez\u00e9chiel<\/strong><\/span><\/span><\/span>,
\nIl le trouve souvent couvert, mais non de <\/span><\/span>miel<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nSous son poil \u00e0 bonnets son coeur n’est pas de <\/span><\/span>marbre<\/strong><\/span><\/span><\/span>;
\nL’enfance l’attendrit et, point <\/span><\/span>essentiel,<\/strong><\/span><\/span><\/span>
\nQuand B\u00e9b\u00e9 lui dit \u00ab\u00a0Monte \u00e0 l’arbre?\u00a0\u00bb il monte \u00e0 l’<\/span><\/span>arbre<\/strong><\/span><\/span><\/span>!<\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span>T4 <\/span><\/span>ccc ddc<\/strong><\/span><\/span> 1960,1 <\/span><\/span>Jean Le Lou\u00ebt <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Car le c\u0153ur d\u2019aussi blanche innocence s\u2019<\/span><\/span>exile<\/strong><\/span><\/span><\/span>
\nAu sommet d\u2019une tour tr\u00e8s soumise et <\/span><\/span>fragile<\/strong><\/span><\/span><\/span> ;
\nEt l\u2019on voit l\u2019astre d\u2019or de vos yeux sur son <\/span><\/span>\u00eele<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nTraverser les rayons de pourpre de la <\/span><\/span>bouche,<\/strong><\/span><\/span><\/span>
\nEt chercher dans le r\u00eave un reflet de sa <\/span><\/span>couche <\/strong><\/span><\/span><\/span>
\nO\u00f9 vous dormez sans voix, puisque votre voix <\/span><\/span>brille<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT5 <\/span><\/span>ccc ddd<\/strong><\/span><\/span> 1846,3 <\/span><\/span>Philoth\u00e9e o’ Neddy <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Notre aristocratie, \u00e0 nous, verra le <\/span><\/span>jour<\/strong><\/span><\/span><\/span>,
\nLa raison, notre reine, a pour tenir sa <\/span><\/span>cour <\/strong><\/span><\/span><\/span>
\nTrois astres: l’Equit\u00e9, la Libert\u00e9, l’<\/span><\/span>Amour<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nOui, sachez-le, bourgeois, financiers, <\/span><\/span>diplomates<\/strong><\/span><\/span><\/span>!
\nLes nobles, maintenant, les vrais <\/span><\/span>aristocrates<\/strong><\/span><\/span><\/span>,
\nLes vrais patriciens – ce sont les <\/span><\/span>d\u00e9mocrates!<\/strong><\/span><\/span><\/span><\/p>\n


\nT6 <\/span><\/span>ccd ccd <\/strong><\/span><\/span> 1819,5 <\/span><\/span>Fran\u00e7ois de La Pommeraye <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Moi, cependant, moi seul dans la <\/span><\/span>nature<\/strong><\/span><\/span><\/span>,
\nToujours en proie au tourment que j’<\/span><\/span>endure<\/strong><\/span><\/span><\/span>,
\nToujours songeant \u00e0 celle que je <\/span><\/span>perds<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nJe ne vois plus les fleurs ni la <\/span><\/span>verdure;<\/strong><\/span><\/span><\/span>
\nJe n’entends plus le ruisseau qui <\/span><\/span>murmure;<\/strong><\/span><\/span><\/span>
\nLes plus beaux lieux sont pour moi des <\/span><\/span>d\u00e9serts.<\/strong><\/span><\/span><\/span><\/p>\n


\nT7 <\/span><\/span>ccd cdc<\/strong><\/span><\/span> <\/span><\/span>1846 2<\/span><\/span> Philot\u00e9e o\u2019Neddy <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Et – bien que maintenant les doctrines <\/span><\/span>sceptiques<\/strong><\/span><\/span><\/span>
\nAient gu\u00e9ri mon cerveau des r\u00eaves <\/span><\/span>chim\u00e9riques<\/strong><\/span><\/span><\/span>
\nBien que j’ose nier la Vierge et les <\/span><\/span>\u00e9lus<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nJ’ai toujours n\u00e9ammoins des tendresses <\/span><\/span>mystiques<\/strong><\/span><\/span><\/span>,
\nPour une femme assise en des prismes <\/span><\/span>confus<\/strong><\/span><\/span><\/span>,
\nQui tient un nouveau-n\u00e9 dans ses bras <\/span><\/span>fantastiques<\/strong><\/span><\/span><\/span>.<\/span><\/span> <\/span><\/span><\/p>\n


\nT8 <\/span><\/span>ccd cdd<\/strong><\/span><\/span> 1808, 6 <\/span><\/span>Stanislas de Boufflers <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> O mer! Je t’aime calme, et j’aime ta <\/span><\/span>furie<\/strong><\/span><\/span><\/span>!
\nQuand je vois les courans, sur ta surface <\/span><\/span>unie<\/strong><\/span><\/span><\/span>,
\nFuir en traits lumineux, je m’arr\u00eate en <\/span><\/span>disant<\/strong><\/span><\/span><\/span>: <\/span><\/span><\/p>\n


\nVoici comme ils ont fui, les beaux jours de ma <\/span><\/span>vie!<\/strong><\/span><\/span><\/span>
\nEt tes flots, sur tes flots se pressant, se <\/span><\/span>brisant<\/strong><\/span><\/span><\/span>,
\nPeignent trop bien mon coeur tel qu’il est \u00e0 <\/span><\/span>pr\u00e9sent.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nT9 <\/span><\/span>ccd dcc<\/strong><\/span><\/span> 1892,2 <\/span><\/span>Antoine Sabatier<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Au prix du sang, au prix des <\/span><\/span>ors<\/strong><\/span><\/span><\/span>.
\nEt fus la jeteuse de <\/span><\/span>sorts,<\/strong><\/span><\/span><\/span>
\nPr\u00eatresse de <\/span><\/span>M\u00e9lancolie<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nOh! de leur commune <\/span><\/span>folie <\/strong><\/span><\/span><\/span>
\nCombien des meilleurs et des <\/span><\/span>forts<\/strong><\/span><\/span><\/span>
\nEtreignant mes genoux sont <\/span><\/span>morts!<\/strong><\/span><\/span><\/span><\/p>\n


\nT10 <\/span><\/span>ccd dcd<\/strong><\/span><\/span> 1830,1 <\/span><\/span>Justin Bouisson <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> \u00a0\u00bb Je l’aime, elle le sait, elle le voit (me <\/span><\/span>dis-je);<\/strong><\/span><\/span><\/span>
\nPeut-\u00eatre \u00e0 sa ga\u00eet\u00e9 qui m’enchante et m’<\/span><\/span>afflige<\/strong><\/span><\/span><\/span>,
\nA cette indiff\u00e9rence o\u00f9 son coeur est <\/span><\/span>plong\u00e9<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nSucc\u00e8deront (l’amour m’a souvent <\/span><\/span>prot\u00e9g\u00e9<\/strong><\/span><\/span><\/span>) ,
\nSucc\u00e8deront (l’amour me devrait ce <\/span><\/span>prodige)<\/strong><\/span><\/span><\/span>,
\nDes regrets, un d\u00e9sir … l’amour m’aura <\/span><\/span>veng\u00e9<\/strong><\/span><\/span><\/span>.\u00a0\u00bb<\/span><\/span> <\/span><\/span><\/p>\n


\nT11 <\/span><\/span>ccd ddc<\/strong><\/span><\/span> 1863,2 <\/span><\/span>Antonio Zingaro<\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Erasme raille et d’un crayon <\/span><\/span>mordant<\/strong><\/span><\/span><\/span>,
\nSon compagnon dessine le <\/span><\/span>tympan<\/strong><\/span><\/span><\/span>,
\nO\u00f9 les dormeurs, surpris par la <\/span><\/span>trompette <\/strong><\/span><\/span><\/span><\/p>\n


\nDe Josaphat, oubliant l’<\/span><\/span>\u00e9tiquette<\/strong><\/span><\/span><\/span>,
\nNe songent plus \u00e0 nouer leur <\/span><\/span>braguette<\/strong><\/span><\/span><\/span>,
\nEt courent, nus, au dernier <\/span><\/span>jugement.<\/strong><\/span><\/span><\/span><\/p>\n


\nT12 <\/span><\/span>ccd ddd <\/strong><\/span><\/span> 1904,4 <\/span><\/span>Charles Derennes <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>Quelque nuage au bleu du <\/span><\/span>jour,<\/strong><\/span><\/span><\/span>
\nUn peu de r\u00eave, un peu d’<\/span><\/span>amour<\/strong><\/span><\/span><\/span>,
\nQuelque parfum trop lourd de <\/span><\/span>fleur;<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nQuelque souvenir, quelque <\/span><\/span>pleur<\/strong><\/span><\/span><\/span>,
\nTrop de langueur lassant le <\/span><\/span>c\u0153ur<\/strong><\/span><\/span><\/span>,
\nOu, peut-\u00eatre, trop de <\/span><\/span>bonheur<\/strong><\/span><\/span><\/span> …. <\/span><\/span><\/p>\n


\nT13 <\/span><\/span>cc dd ee <\/strong><\/span><\/span>1801,1 <\/span><\/span>Michel de Cubi\u00e8res<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\nElle attend le repos, notre ch\u00e8re <\/span><\/span>Patrie<\/strong><\/span><\/span><\/span>,
\nElle veut le devoir \u00e0 ta main <\/span><\/span>aguerrie,<\/strong><\/span><\/span><\/span>
\nH\u00e9las! qui ne l’entend soupirer apr\u00e8s <\/span><\/span>lui<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n


\nMars n’a que trop r\u00e9gn\u00e9, c’est Astr\u00e9e <\/span><\/span>aujourd’hui<\/strong><\/span><\/span><\/span>
\nQui, par toi de Th\u00e9mis reprenant la <\/span><\/span>balance<\/strong><\/span><\/span><\/span>,
\nAux peuples opprim\u00e9s rendra l’<\/span><\/span>ind\u00e9pendance<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT14 <\/span><\/span>ccd ede<\/strong><\/span><\/span> (p)\t1802,2 <\/span><\/span>Abb\u00e9 Pierre David)<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span> Son disque \u00e9tincelant, rempli de <\/span><\/span>majest\u00e9<\/strong><\/span><\/span><\/span>,
\nEtale \u00e0 l’univers un luxe de <\/span><\/span>clart\u00e9<\/strong><\/span><\/span><\/span>,
\nEt va donner la vie \u00e0 la nature <\/span><\/span>enti\u00e8re<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nDe quoi sert, au captif, cette vive <\/span><\/span>splendeur?<\/strong><\/span><\/span><\/span>
\nAvare pour lui seul, ce grand corps de <\/span><\/span>lumi\u00e8re<\/strong><\/span><\/span><\/span>,
\nNe lui laisse entrevoir que l’exc\u00e8s du <\/span><\/span>malheur<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT15 <\/span><\/span>ccd eed<\/strong><\/span><\/span> (m)\t1802,1 <\/span><\/span>Don Juan Laurencin <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Triste condition! L’homme de sa <\/span><\/span>mis\u00e8re<\/strong><\/span><\/span><\/span>,
\nN’a pour soulagement qu’une pure <\/span><\/span>chim\u00e8re.<\/strong><\/span><\/span><\/span>
\nRendons gr\u00e2ces au ciel cependant de l’<\/span><\/span>avoir<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nNe m’abandonne point aimable <\/span><\/span>enchanteresse<\/strong><\/span><\/span><\/span>,
\nJ’aime \u00e0 vivre avec toi dans une douce <\/span><\/span>ivresse<\/strong><\/span><\/span><\/span>,
\nIl ne reste plus rien, quand on n’a plus d’<\/span><\/span>espoir<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT16 <\/span><\/span>cdc ccd<\/strong><\/span><\/span> 1873 (38) <\/span><\/span>Joseph Autran<\/strong><\/span><\/span><\/p>\n

Ces gens, na\u00effs comme des <\/span><\/span>pitres<\/span><\/span><\/span>,
\nAvaient pourtant l\u2019\u00e9trange <\/span><\/span>go\u00fbt<\/span><\/span><\/span>
\nDe fureter dans mes <\/span><\/span>pupitres<\/span><\/span><\/span>,<\/span><\/span><\/p>\n


\nDe lire toutes mes <\/span><\/span>\u00e9pitres<\/span><\/span><\/span>,
\nEnfin, de ne laver les <\/span><\/span>vitres<\/span><\/span><\/span>,
\nQue pour mieux regarder <\/span><\/span>partout.<\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nT17 <\/span><\/span>cdc cdc<\/strong><\/span><\/span> 1836,6 <\/span><\/span>Alfred de Vigny <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Tu ris! \u2013 ce mois joyeux t’a jet\u00e9, trois par <\/span><\/span>trois<\/strong><\/span><\/span><\/span>,
\nDes fronts guillotin\u00e9s sur la place <\/span><\/span>publique<\/strong><\/span><\/span><\/span>.
\n– Ce soir, fais le chr\u00e9tien, dis, bien haut, que tu <\/span><\/span>crois.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nA genoux! Roi du mal, comme les autres <\/span><\/span>Rois,<\/strong><\/span><\/span><\/span>
\nPour que la charit\u00e9, de son doigt <\/span><\/span>Ang\u00e9lique<\/strong><\/span><\/span><\/span>,
\nSur ton front de Damn\u00e9 fasse un signe de <\/span><\/span>croix<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT18 <\/span><\/span>cdc cdd <\/strong><\/span><\/span> 1842,2 <\/span><\/span>Alfred Philibert <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> O pompes du tr\u00e9pas, qu’on vous rend <\/span><\/span>ridicules<\/strong><\/span><\/span><\/span>!
\nFaut-il que l’\u00e9tiquette et que la <\/span><\/span>vanit\u00e9 <\/strong><\/span><\/span><\/span>
\nSur le bord de la tombe aient encor leurs <\/span><\/span>scrupules<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n


\nQue tu vaux mieux cent fois, clo\u00eetre des <\/span><\/span>Camaldules<\/strong><\/span><\/span><\/span>,
\nO\u00f9, se creusant leur fosse et dormant \u00e0 <\/span><\/span>c\u00f4t\u00e9<\/strong><\/span><\/span><\/span>,
\nDes moines sont toujours pr\u00eats pour l’<\/span><\/span>\u00e9ternit\u00e9<\/strong><\/span><\/span><\/span>! <\/span><\/span><\/p>\n


\nT19 <\/span><\/span>cdc dcc<\/strong><\/span><\/span> 1808,3 <\/span><\/span>Stanislas de Boufflers <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Soit que l’ambition change en acier ton <\/span><\/span>coeur<\/strong><\/span><\/span><\/span>,<\/span><\/span><\/span>
\nSoit qu’\u00e0 ton aspect sombre on fr\u00e9misse, et qu’on n’<\/span><\/span>ose<\/strong><\/span><\/span><\/span>
\nDe tes yeux \u00e9gar\u00e9s soutenir la <\/span><\/span>fureur;<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nD’un amour inquiet soit que plaidant la <\/span><\/span>cause<\/strong><\/span><\/span><\/span>,
\nTa voix de l’ame m\u00eame emprunte la <\/span><\/span>douceur<\/strong><\/span><\/span><\/span> ….
\nOh non! pour peindre un astre il n’est point de <\/span><\/span>couleur.<\/strong><\/span><\/span><\/span><\/p>\n


\nT20 <\/span><\/span>cdc dcd<\/strong><\/span><\/span> 1811,2 <\/span><\/span>P.L Ginguen\u00e9 <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Ainsi, tandis que l’onde et les sombres <\/span><\/span>for\u00eats<\/strong><\/span><\/span><\/span>,
\nEt la plaine, et les monts, savent quelle est ma <\/span><\/span>peine<\/strong><\/span><\/span><\/span>,
\nJe d\u00e9robe ma vie aux regards <\/span><\/span>indiscrets;<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nMais je ne puis trouver de route si <\/span><\/span>lointaine<\/strong><\/span><\/span><\/span>
\nO\u00f9 l’amour, qui de moi ne s’\u00e9loigne <\/span><\/span>jamais<\/strong><\/span><\/span><\/span>,
\nNe fasse ou\u00efr sa voix et n’entende la <\/span><\/span>mienne<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT21 <\/span><\/span>cdc ddc<\/strong><\/span><\/span> 1801,2 <\/span><\/span>Viviand Bellerive <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> D\u2019une m\u00e8re et d\u2019un fils, viens essuyer les <\/span><\/span>larmes,<\/strong><\/span><\/span><\/span>
\nArr\u00eate la fureur des peuples et des <\/span><\/span>rois<\/strong><\/span><\/span><\/span>,
\nQu\u2019aux pieds de ton autel ils d\u00e9posent leurs <\/span><\/span>armes<\/strong><\/span><\/span><\/span> ! <\/span><\/span><\/p>\n


\nPour soutenir le tr\u00f4ne, ou d\u00e9fendre leurs <\/span><\/span>droits<\/strong><\/span><\/span><\/span>,
\nSi les cruels humains furent sourds \u00e0 ta <\/span><\/span>voix,<\/strong><\/span><\/span><\/span>
\nIls en sont trop punis par douze hivers d\u2019<\/span><\/span>alarmes<\/strong><\/span><\/span><\/span> ! <\/span><\/span><\/p>\n


\nT22 <\/span><\/span>cdc ddd <\/strong><\/span><\/span>1914,9 <\/span><\/span>Andr\u00e9 Breton<\/strong><\/span><\/span><\/p>\n


\nEt l’\u00e2me, au battement d’une <\/span><\/span>aile<\/span><\/span><\/span>
\nCaptive – on croirait – d’un col <\/span><\/span>fin<\/span><\/span><\/span>,
\nVers l’\u00e9paule, sous la <\/span><\/span>tonnelle, <\/span><\/span><\/span><\/p>\n


\n<\/span><\/span><\/span> Si la caresse ondule \u00e0 <\/span><\/span>fin<\/span><\/span><\/span>
\nDe charme, \u00f4 pur Vi\u00e9l\u00e9-<\/span><\/span>Griffin<\/span><\/span><\/span>,
\nPressent le Pigeon aigre<\/span><\/span>fin<\/span><\/span><\/span> !<\/span><\/span><\/p>\n


\nT23 <\/span><\/span>cdc dee<\/strong><\/span><\/span> 1808,1 <\/span><\/span>Stanislas de Boufflers <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Mais dans les champs des airs si quelque beau <\/span><\/span>nuage <\/strong><\/span><\/span><\/span>
\nOffre un brillant palais \u00e0 mon oeil <\/span><\/span>enchant\u00e9<\/strong><\/span><\/span><\/span>,
\nPuis-je exiger des vents de n’y point faire <\/span><\/span>outrage<\/strong><\/span><\/span><\/span>? <\/span><\/span><\/p>\n


\nPuis-je attendre de lui quelque <\/span><\/span>solidit\u00e9?<\/strong><\/span><\/span><\/span>
\nNon, je sens que c’est moi qui suis mon <\/span><\/span>ennemie<\/strong><\/span><\/span><\/span>
\nMais je sens trop, aussi, combien j’en suis <\/span><\/span>punie<\/strong><\/span><\/span><\/span>.<\/span><\/span> <\/span><\/span><\/p>\n


\nT24 <\/span><\/span>cdc ede<\/strong><\/span><\/span> 1857,25 <\/span><\/span>P.Bion <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> <\/span><\/span>A<\/span><\/span><\/span>u <\/span><\/span>Pater<\/em><\/span><\/span> du Sauveur ajoute une <\/span><\/span>pri\u00e8re<\/strong><\/span><\/span><\/span> :
\n<\/span><\/span>L<\/span><\/span><\/span>oin, bien loin, \u00f4 ma s\u0153ur\u00a0! fais entendre tes <\/span><\/span>chants<\/strong><\/span><\/span><\/span>,
\n<\/span><\/span>L<\/span><\/span><\/span>e nom du p\u00e8re est doux, mais, bonne aussi la <\/span><\/span>M\u00e8re<\/strong><\/span><\/span><\/span> !
\n<\/span><\/span>I<\/span><\/span><\/span>nterroge plut\u00f4t cette Vierge <\/span><\/span>ch\u00e9rie<\/strong><\/span><\/span><\/span>,
\n<\/span><\/span>A<\/span><\/span><\/span>sile des c\u0153urs purs, refuge des <\/span><\/span>m\u00e9chants<\/strong><\/span><\/span><\/span>.
\n<\/span><\/span>T<\/span><\/span><\/span>u le veux, n\u2019est-il pas\u00a0? \u2026 oh\u00a0! chante encor <\/span><\/span>Marie.<\/strong><\/span><\/span><\/span><\/p>\n


\nT25 <\/span><\/span>cdc eed <\/strong><\/span><\/span> 1861,4 <\/span><\/span>Edmond Arnould <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Ainsi le malheur, fin <\/span><\/span>vautour,<\/strong><\/span><\/span><\/span>
\nSans qu’aucun bruit nous le <\/span><\/span>r\u00e9v\u00e8le,<\/strong><\/span><\/span><\/span>
\nSur nous plane, aux feux d’un beau <\/span><\/span>jour:<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nMais longtemps avant de le <\/span><\/span>voir,<\/strong><\/span><\/span><\/span>
\nDans nos coeurs, tranquille <\/span><\/span>miroir<\/strong><\/span><\/span><\/span>,
\nNous voyons l’ombre de son <\/span><\/span>aile<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT26 <\/span><\/span>cdd ccc<\/strong><\/span><\/span> 1864,3 <\/span><\/span>Ars\u00e8ne Houssaye <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Les affileurs de mots sont \u00e0 mon <\/span><\/span>rendez-vous<\/strong><\/span><\/span><\/span>
\nMa belle dame, ici la langue est <\/span><\/span>cavali\u00e8re,<\/strong><\/span><\/span><\/span>
\nNe soyez pas b\u00e9gueule et saluez <\/span><\/span>Moli\u00e8re<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nChercheuses d’inconnus, craignez les <\/span><\/span>casse-cous<\/strong><\/span><\/span><\/span>,
\nBuveuses d’illusion, \u00e9coutez les <\/span><\/span>frou-frous<\/strong><\/span><\/span><\/span>
\nAu risque de tomber dans les pi\u00e8ges \u00e0 <\/span><\/span>loups<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT27 <\/span><\/span>cdd ccd<\/strong><\/span><\/span> 1838,3 <\/span><\/span>Jules Lacroix <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Ces lustres, ces flambeaux, ces cand\u00e9labres <\/span><\/span>d’or<\/strong><\/span><\/span><\/span>
\nVersaient trop de clart\u00e9s sur vos blanches <\/span><\/span>\u00e9paules,<\/strong><\/span><\/span><\/span>
\nSur votre sein plus pur que la neige des <\/span><\/span>p\u00f4les!<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nEt j’aurais bien donn\u00e9 mon \u00e2me, et plus <\/span><\/span>encor,<\/strong><\/span><\/span><\/span>
\nPour vivre une heure, seul, dans l’ombre, \u00f4 mon <\/span><\/span>tr\u00e9sor,<\/strong><\/span><\/span><\/span>
\nAvec ma Vell\u00e9da, blonde fille des <\/span><\/span>Gaules<\/strong><\/span><\/span><\/span>! <\/span><\/span><\/p>\n


\nT28 <\/span><\/span>cdd cdc<\/strong><\/span><\/span> 1819,3 <\/span><\/span>Fran\u00e7ois de La Pommeraye <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Nagu\u00e8re ainsi je pr\u00e9sentois mes <\/span><\/span>voeux<\/strong><\/span><\/span><\/span>
\nAu jeune Dieu qu’on adore \u00e0 <\/span><\/span>Cyth\u00e8re;<\/strong><\/span><\/span><\/span>
\nL’enfant malin sourit de ma <\/span><\/span>pri\u00e8re<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nEt dit: veux-tu communiquer tes <\/span><\/span>feux<\/strong><\/span><\/span><\/span>;
\nSache qu’aimer n’est rien sans l’art de <\/span><\/span>plaire<\/strong><\/span><\/span><\/span>.
\nVoil\u00e0, voil\u00e0 le secret d’\u00eatre <\/span><\/span>heureux!<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nT29 <\/span><\/span>cdd cdd <\/strong><\/span><\/span> 1839,4 <\/span><\/span>A. Eude-Dugaillon <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Vous animez, nourrie \u00e0 la sublime <\/span><\/span>\u00e9cole<\/strong><\/span><\/span><\/span>,
\nLes chants que votre esprit pour plaire <\/span><\/span>imagina<\/strong><\/span><\/span><\/span>
\nEt ceux des vieux auteurs que le temps <\/span><\/span>couronna<\/strong><\/span><\/span><\/span>; <\/span><\/span><\/p>\n


\nHeureuse \u00e0 qui le ciel accorde une <\/span><\/span>aur\u00e9ole!<\/strong><\/span><\/span><\/span>
\nPar le g\u00e9nie et l’art vous brillez, <\/span><\/span>L\u00e9ona,<\/strong><\/span><\/span><\/span>
\nAu lieu d’une c’est deux que le ciel vous <\/span><\/span>donna<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT30 <\/span><\/span>cdd cee <\/strong><\/span><\/span>1808,5<\/span><\/span> <\/strong><\/span><\/span>Stanislas de Boufflers<\/strong><\/span><\/span><\/p>\n


\nTu me peins l’amiti\u00e9 qui, soigneuse et <\/span><\/span>discr\u00e8te,<\/strong><\/span><\/span><\/span>
\nTravaille \u00e0 refermer les blessures du <\/span><\/span>coeur<\/strong><\/span><\/span><\/span>,
\nEt, d’un mal incurable \u00e9moussant la <\/span><\/span>douleur <\/strong><\/span><\/span><\/span><\/p>\n


\nVerse un baume secret sur la peine <\/span><\/span>secr\u00e8te<\/strong><\/span><\/span><\/span>.
\nJe sais trop que le baume est peu s\u00fbr, mais, <\/span><\/span>h\u00e9las!<\/strong><\/span><\/span><\/span>
\nIl adoucit du moins ce qu’il ne gu\u00e9rit <\/span><\/span>pas<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT31 <\/span><\/span>cdd dcc<\/strong><\/span><\/span> 1832,2 <\/span><\/span>L<\/strong><\/span><\/span>\u00e9ger No\u00ebl <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> J’ose te demander ton immortel <\/span><\/span>suffrage.<\/strong><\/span><\/span><\/span>
\nTu me tins lieu de muse; Amour fut l’<\/span><\/span>Apollon<\/strong><\/span><\/span><\/span>
\nQui conduisait mes pas dans le sacr\u00e9 <\/span><\/span>vallon<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nSur les bords d’Hippocrene, au pied de l’<\/span><\/span>H\u00e9licon<\/strong><\/span><\/span><\/span>,
\nTu m’inspiras ces vers; et je t’en dois l’<\/span><\/span>hommage<\/strong><\/span><\/span><\/span>;
\nDaigne d’un doux sourire accueillir ton <\/span><\/span>ouvrage<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT32 <\/span><\/span>cdd dcd <\/strong><\/span><\/span> 1900, 15 (<\/span><\/span>A.L.<\/strong><\/span><\/span>) <\/span><\/span><\/p>\n


\n<\/span><\/span> Celui qui te d\u00e9couvre en ton lit <\/span><\/span>\u00e9cart\u00e9<\/strong><\/span><\/span><\/span>
\nDevrait t\u2019y respecter\u00a0: car ta beaut\u00e9 <\/span><\/span>fragile<\/strong><\/span><\/span><\/span>
\nA besoin de la nue et du sol <\/span><\/span>infertile.<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nIl ne te connait pas qui n\u2019a vu qu\u2019\u00e0 la <\/span><\/span>ville<\/strong><\/span><\/span><\/span>
\nLa fleur qui sous ton nom, hochet de <\/span><\/span>vanit\u00e9<\/strong><\/span><\/span><\/span>
\n<\/span><\/span> <\/span><\/span>S\u2019\u00e9talait au chapeau d\u2019un touriste <\/span><\/span>imb\u00e9cile<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT33 <\/span><\/span>cdd ddc <\/strong><\/span><\/span> 1842,9 <\/span><\/span>Henri-Victor Drouaillet <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> A l’endroit o\u00f9 flottait l’\u00e9tendard <\/span><\/span>redout\u00e9<\/strong><\/span><\/span><\/span>
\nSur la tour o\u00f9 veillait le damoiseau <\/span><\/span>fid\u00e8le<\/strong><\/span><\/span><\/span>,
\nLe sinistre corbeau se tient en <\/span><\/span>sentinelle,<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nEt sur le front bruni de cette <\/span><\/span>citadelle <\/strong><\/span><\/span><\/span>
\nQui fit trembler le serf et le vassal <\/span><\/span>rebelle<\/strong><\/span><\/span><\/span>,
\nLe burin de notre \u00e2ge a grav\u00e9: <\/span><\/span>Libert\u00e9!<\/strong><\/span><\/span><\/span><\/p>\n


\nT34 <\/span><\/span>cdd ece<\/strong><\/span><\/span> 1842,10 <\/span><\/span>Henri-Victor Drouaillet <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Cette pens\u00e9e am\u00e8re \u00e9branla ma <\/span><\/span>constance.<\/strong><\/span><\/span><\/span>
\nJe maudis mon destin, mes r\u00eaves <\/span><\/span>superflus<\/strong><\/span><\/span><\/span>,
\nJe revins et j’ouvris mon Schiller, o\u00f9 je <\/span><\/span>lu<\/strong><\/span><\/span><\/span>s: <\/span><\/span><\/p>\n


\nCesse tes cris plaintifs, toi qui re\u00e7us du <\/span><\/span>ciel<\/strong><\/span><\/span><\/span>
\nTon r\u00eave pour bonheur, ta foi pour <\/span><\/span>r\u00e9compense,<\/strong><\/span><\/span><\/span>
\nN’est- ce pas d\u00e9j\u00e0 trop pour un ingrat <\/span><\/span>mortel?<\/strong><\/span><\/span><\/span><\/p>\n


\nT35 <\/span><\/span>cdd eec<\/strong><\/span><\/span> 1883,20 <\/span><\/span>L.R\u00e9my <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Du mortel n’ont os\u00e9 fouler, et ma <\/span><\/span>pens\u00e9e<\/strong><\/span><\/span><\/span>
\nContemplant de si haut le n\u00e9ant <\/span><\/span>infini<\/strong><\/span><\/span><\/span>,
\nDe l’\u00eatre dont l’orgueil est chaque jour <\/span><\/span>grandi<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nEt l’immense bont\u00e9, l’insondable <\/span><\/span>grandeur <\/strong><\/span><\/span><\/span>
\nDe Celui qui prodigue au monde sa <\/span><\/span>splendeur<\/strong><\/span><\/span><\/span>,
\nJe me suis \u00e9cri\u00e9: l’homme est une <\/span><\/span>fum\u00e9e<\/strong><\/span><\/span><\/span>!<\/span><\/span><\/p>\n


\nT36 <\/span><\/span>cde cde<\/strong><\/span><\/span> 1847 1 <\/span><\/span>Emma M\u00e9hul <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Ni rien jamais ne touchera mon <\/span><\/span>coeur,<\/strong><\/span><\/span><\/span>
\nTant a su bien sous sa pierre avec <\/span><\/span>elle <\/strong><\/span><\/span><\/span>
\nL’ensevelir, ma clart\u00e9, mon <\/span><\/span>miroir<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nPour moi la vie est un poids de <\/span><\/span>douleur<\/strong><\/span><\/span><\/span>:
\nJe veux mourir afin de revoir <\/span><\/span>celle<\/strong><\/span><\/span><\/span>
\nQu’il e\u00fbt valu beaucoup mieux ne pas <\/span><\/span>voir<\/strong><\/span><\/span><\/span>.<\/span><\/span> <\/span><\/span><\/p>\n


\nT37 <\/span><\/span>cde ced<\/strong><\/span><\/span> 1896,5 <\/span><\/span>Auguste Angellier <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Elle ouvrit ses bras blancs, fr\u00e9missante d’<\/span><\/span>\u00e9moi<\/strong><\/span><\/span><\/span>,
\nEt ses bras en s’ouvrant ouvrirent sa <\/span><\/span>tunique<\/strong><\/span><\/span><\/span>
\nEt son corps radieux aux invincibles <\/span><\/span>charmes <\/strong><\/span><\/span><\/span><\/p>\n


\nResplendit tout entier. Je vis entre elle et <\/span><\/span>moi<\/strong><\/span><\/span><\/span>
\nLuire tes pauvres yeux tout fatigu\u00e9s de <\/span><\/span>larmes<\/span><\/span><\/span>,
\nEt je m’\u00e9loignai vers le bois <\/span><\/span>m\u00e9lancolique<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT38 <\/span><\/span>cde dce<\/strong><\/span><\/span> 1906,1 <\/span><\/span>O.V. de L. Milosz <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Tu peux partir, ou t’endormir, ou bien <\/span><\/span>mourir <\/strong><\/span><\/span><\/span>
\nDans le sang ou la boue, ou m\u00eame encore, <\/span><\/span>belle<\/strong><\/span><\/span><\/span>,
\nMendier ton pain de vieille aux pays <\/span><\/span>inconnus;<\/strong><\/span><\/span><\/span> <\/span><\/span><\/p>\n


\nCar nulle autre aujourd’hui ne veut m’\u00eatre <\/span><\/span>r\u00e9elle <\/strong><\/span><\/span><\/span>
\nQue celle mort des demains et du <\/span><\/span>souvenir,<\/strong><\/span><\/span><\/span>
\nQue cette cloche du moment aux lointains <\/span><\/span>nus<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n


\nT39 <\/span><\/span>cde dec<\/strong><\/span><\/span> 1894,3 <\/span><\/span>Fernand Halley <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Puis tout \u00e0 coup, faisant <\/span><\/span>silence<\/strong><\/span><\/span><\/span>:
\n\u00a0\u00bb Si tu le veux, beau <\/span><\/span>troubadour,<\/strong><\/span><\/span><\/span>
\nJe te chanterai, me dit-<\/span><\/span>elle<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nAvec l’Esp\u00e9rance, l’<\/span><\/span>Amour<\/strong><\/span><\/span><\/span>!\u00a0\u00bb
\n\u00ab\u00a0Oh! non, non! lui dis-je, ma <\/span><\/span>belle<\/strong><\/span><\/span><\/span>.
\nChante, chante encor pour la <\/span><\/span>France<\/strong><\/span><\/span><\/span>!\u00a0\u00bb<\/span><\/span><\/p>\n


\nT40 <\/span><\/span>cde ecd<\/strong><\/span><\/span> 1909,5 <\/span><\/span>Pierre Li\u00e8vre<\/strong><\/span><\/span> <\/span><\/span><\/p>\n


\n<\/span><\/span> Souffrant et mutil\u00e9 s’il reste encor <\/span><\/span>debout<\/strong><\/span><\/span><\/span>
\nS’offrant toujours aux chocs o\u00f9 tu le mets en <\/span><\/span>butte<\/strong><\/span><\/span><\/span>,
\nC’est qu’en un c\u0153ur profond il plonge ses <\/span><\/span>racines<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nRedoute cependant ta fureur <\/span><\/span>assassine<\/strong><\/span><\/span><\/span>,
\nCrains que l’arbre \u00e0 la fin ne croule sous tes <\/span><\/span>coups<\/strong><\/span><\/span><\/span>
\nCar il t’\u00e9craserait peut-\u00eatre de sa <\/span><\/span>chute<\/strong><\/span><\/span><\/span>. <\/span><\/span><\/p>\n


\nT41 <\/span><\/span>cde edc <\/strong><\/span><\/span> <\/span><\/span>1896,4 <\/span><\/span>Auguste Angellier <\/strong><\/span><\/span><\/p>\n


\n<\/strong><\/span><\/span> Ma piti\u00e9 s’attacha, par des r\u00eaves <\/span><\/span>tremblants<\/strong><\/span><\/span><\/span>
\nA la triste inconnue; et lorsque je l’<\/span><\/span>aimai<\/strong><\/span><\/span><\/span>,
\nL’\u00e9t\u00e9 allait ouvrir le temps des fleurs <\/span><\/span>\u00e9closes<\/strong><\/span><\/span><\/span>, <\/span><\/span><\/p>\n


\nOn vendait les premiers bouquets de jeunes <\/span><\/span>roses<\/span><\/span><\/span>,
\nEt dans l’azur uni du calme ciel de <\/span><\/span>Mai<\/strong><\/span><\/span><\/span>
\nLes marroniers mettaient leurs derniers thyrses <\/span><\/span>blancs<\/strong><\/span><\/span><\/span>.<\/span><\/span><\/p>\n

Tercets excentriques<\/strong>
\n1835,2 Julien Travers<\/strong>
\n1855,4&5 Marc du Velay<\/strong>
\n1869,2 Louis Goujon<\/strong>
\n1876,2 Catulle Mend\u00e8s<\/strong>
\n1884,10 Verlaine<\/strong>
\n1893,9 Albert Aurier<\/strong>
\n1895,8 Verlaine<\/strong>
\n1942,4 Raymond Queneau<\/strong>
\n1944,3 Jean Cassou<\/strong>
\n1944,9 Pierre-Jean Jouve<\/strong><\/p>\n

y=x (<\/strong>sonnets o\u00f9 des rimes des quatrains sont reprises dans les tercets)<\/p>\n

1828,4 Charles Nodier<\/strong>
\n1832,1 J-B. Claray de Crest-Volland<\/strong>
\n1836,2 Alfred Rousseau<\/strong>
\n1872,19 Rimbaud<\/strong>
\n1872,27 R. Agn\u00e8s<\/strong>
\n1873,2 & 3 Ulysse Landeau<\/strong>
\n1875,8 Ars\u00e8ne Houssaye<\/strong>
\n1880,24 Tristan Gratien<\/strong>
\n1883,21 & 22 Rodolphe Darzens<\/strong>
\n1887,11 ?<\/strong>
\n1890,24 Jules Sionville<\/strong>
\n1892,7 Edouard Dubus<\/strong>
\n1893,17 Robert de Flers<\/strong>
\n1893,20 Georges Fourest<\/strong>
\n1895,12 Alban Roubaud<\/strong>
\n1896,16 Ludovic Sarlat<\/strong>
\n1900,12 Camille Mauclai<\/strong>r
\n1902,9 F.A Cazals<\/strong>
\n1903,2 Henri Fischer<\/strong>
\n1911,3 Philippe Berthelot<\/strong>
\n1912,3-5 Charles P\u00e9guy<\/strong>
\n1913,6 L\u00e9on Deubel<\/strong>
\n1922,2 Paul Val\u00e9ry<\/strong>
\n1924,5 Maurice du Plessys<\/strong>
\n1925,4 Albert Samain<\/strong>
\n1929,4 Pierre Frayssinet<\/strong>
\n1956,3 Jacques Baron<\/strong>
\n1961,4 Jean Queval<\/strong>
\n1968,1 Raymond Queneau<\/strong>
\n1970,4-5 Adolphe Haberer<\/strong>
\n1977,11 Roger Gilbert-Lecomte<\/strong>
\n1988,5 Pierre Gripari<\/strong><\/p>\n

PL<\/strong> (sonnets en rimes plates)<\/p>\n

1801,1 Michel de<\/strong>) Cubi\u00e8res, jeune<\/strong>
\n1863, 7 L\u00e9on Vadale & Albert M\u00e9rat<\/strong>
\n1869,34 M\u00e9ry<\/strong>
\n1879,21 Charles Cros<\/strong>
\n1888,19 Charles Cros<\/strong>
\n1923,2 Jean Roy\u00e8re<\/strong><\/p>\n

A4B4C3D3 <\/strong>( premier quatrain en rime \u2018a\u2019, deuxi\u00e8me quatrain en rime \u2018b\u2019, \u2026)<\/p>\n

1846,3 Philoth\u00e9e o’ Neddy<\/strong>
\n1853,2 Evariste Boulay-Paty<\/strong>
\n1864,2 Ars\u00e8ne Houssaye<\/strong>
\n1876,14 Emile Goudeau<\/strong>
\n1932,2 Charles-Adolphe Cantacuz\u00e8ne<\/strong><\/p>\n

Monorimes<\/strong><\/p>\n

1857,3 Charles de Nugent<\/strong>
\n1886,11 Germain Nouveau<\/strong>
\n1896,9 L\u00e9once de Jonci\u00e8res<\/strong>
\n1909,3 Georges Fourest<\/strong>
\n1920,6 L\u00e9on de Berluc-Perussis<\/strong>
\n1986,2 Ren\u00e9 Belletto<\/strong><\/p>\n

Violation de la r\u00e8gle d\u2019alternance<\/strong><\/p>\n

1884,13 & 14 Verlaine<\/strong>
\n1892,5 Edouard Dubus<\/strong>
\n1894,14 &15 Verlaine<\/strong>
\n1896,6 Auguste Angellier<\/strong>
\n1896,11 Georges Rodenbach<\/strong>
\n1910,2 Ren\u00e9e Vivien<\/strong>
\n1910,7 Paterne Berrichon<\/strong>
\n1912,13 Pierre Lou\u00ffs<\/strong>
\n1919,2 Andr\u00e9 Breton<\/strong>
\n1921,1 Jehan d’Arvieu<\/strong><\/p>\n

shmall <\/strong>\u2013shmall*<\/strong> Shakespeare-Mallarm\u00e9 (<\/strong>adaptation par Mallarm\u00e9 de la formule dite \u2018shakespearienne\u2019 du sonnet. La diff\u00e9rence avec le mod\u00e8le anglais est dans la disposition sur la page, s\u00e9par\u00e9e en strophes par Mallarm\u00e9)<\/p>\n

1890,2-3, 1892,1, 1894,1, 1895,1-3, 1899,21-23 & 26-29 & 46 Mallarm\u00e9<\/strong>
\n1896,10 Paul Val\u00e9ry<\/strong>
\n1897,2–<\/strong>5, 1899,6-9 L\u00e9opold Dauphin<\/strong>
\n1900,3 Hady-Lem<\/strong>
\n1917,3 Jean Roy\u00e8re<\/strong>
\n1919,3 Jules Supervielle<\/strong>
\n1944,13 Robert Desnos<\/strong>
\n1959,8 Paul Val\u00e9ry<\/strong>
\n1962,2 Pierre-Jean Jouve<\/strong>
\n1992,5 Henri Bellaunay<\/strong><\/p>\n

1908, 1-3 Andr\u00e9 Fontainas<\/strong>
\n1908,4 Val\u00e9ry Larbaud<\/strong>
\n1937,3 Raymond Queneau<\/strong>
\n1966,4 Roland Dubillard*<\/strong>
\n1959,8 Paul Val\u00e9ry<\/strong>
\n1967,1 Igor Astrow<\/strong>
\n1970,2 Marcel Thiry<\/strong><\/p>\n

sp <\/span>Formule spens\u00e9rienne- <\/strong>De cette disposition pr\u00e9sente, quoique rare, dans le sonnet de langue anglaise, invent\u00e9e par Spenser <\/strong>dans ses Amoretti<\/span>, abab bcbc dede ff<\/span>. je n\u2019ai trouv\u00e9 qu\u2019un seul exemple
\n1871,6 Auguste Barbier<\/strong><\/p>\n

Sonnets en prose<\/strong><\/p>\n

1854,2 Jules Barbey d’Aurevilly<\/strong>
\n1870, Rimbaud<\/strong>
\n1891,22 Val\u00e9ry<\/strong>
\n1914, 6-8 R\u00e9my de Gourmont<\/strong><\/p>\n

M\u00c8TRES<\/p>\n

L\u2019alexandrin est omni pr\u00e9sent. Toutes les longueurs de vers de 1 syllabe \u00e0 16 ont \u00e9t\u00e9 essay\u00e9es. Il y a trois variantes de la mesure \u201910\u2019: le d\u00e9casyllabe ordinaire, c\u00e9sur\u00e9 apr\u00e8s la 4\u00e8me<\/sup> syllabe\u00a0; le vers de 10 syllabes c\u00e9sur\u00e9 apr\u00e8s la 5\u00e8me<\/sup> (taratantara)\u00a0; le d\u00e9casyllabe non c\u00e9sur\u00e9. On remarquera que le sonnet monosyllabique est apparu en 1835, l\u2019hend\u00e9casyllabe en 1866 et le vers de 14 syllabes en 1841 (de temps \u00e0 autre, quelqu\u2019un s\u2019imagine l\u2019avoir d\u00e9couvert). Je note \u201812s\u2019 dans les vers de douze syllabes \u00e0 double c\u00e9sure ou sans c\u00e9sure nette. Par \u20182m\u2019 je d\u00e9signe les sonnets employant deux m\u00e8tres distincts au moins. Exemples les plus anciens<\/p>\n

mono 1835,6 Jules de Ress\u00e9guier<\/strong><\/p>\n

2s 1859,16 (Gustave Bouchez)<\/strong> ? 1862, 1 Eug\u00e8ne Vignon<\/strong><\/p>\n

3s 1838,2 Jules Lacroix<\/strong><\/p>\n

4s 1837,3 Julien Travers<\/strong><\/p>\n

5s 1838,1 (ars) (Jules Lacroix)<\/strong> ? 1840,1 Ferdinand de Gramont<\/strong><\/p>\n

6s 1835,5 Julien Travers<\/strong><\/p>\n

7s 1817,4 Jean-J Boutet de Monvel<\/strong><\/p>\n

octo 1809,1 A. Antignac<\/strong><\/p>\n

9s 1845,7 Hip. Floran<\/strong><\/p>\n

d\u00e9ca 1817,3 Jean-J Boutet de Monvel<\/strong><\/p>\n

tara 1842,7 Th\u00e9odore de Banville<\/strong><\/p>\n

10s 1880,9 Narzale Jobert<\/strong><\/p>\n

11s 1866,11 Eug\u00e8ne de Lonlay<\/strong><\/p>\n

12s 1880, 11 & 12 Narzale Jobert<\/strong>) (trim\u00e8tres)<\/p>\n

13s 1880,14 Narzale Jobert<\/strong><\/p>\n

14s 1841,2 Paul Ackermann<\/strong><\/p>\n

15s 1880,16 Narzale Jobert<\/strong><\/p>\n

16s 1880,17 Narzale Jobert<\/strong><\/p>\n

2m. 1828,1 Casimir Delavigne<\/strong><\/p>\n

Liste des sonnets monosyllabiques <\/strong><\/p>\n

31 exemples<\/p>\n

1835,6 Jules de Ress\u00e9guier<\/strong>
\n1862,3-4 Eug\u00e8ne Vignon<\/strong>
\n1872,15 1872,23 1872,26 Germain Nouveau<\/strong>
\n1872,16 L\u00e9on Valade<\/strong>
\n1872, 18 1878,22 Charles Cros<\/strong>
\n1872,30 Paul Ar\u00e8ne & Alphonse Daudet<\/strong>
\n1873,7 J. Poisle Desgranges<\/strong>
\n1874,3 Georges Garnier<\/strong>
\n1880,5 Narzale Jobert<\/strong>
\n1882,7 Cabaner<\/strong>
\n1886,25 L\u00e9on Barat<\/strong>
\n1887,15 Georges Proteau<\/strong>
\n1888,18 Charles Cros<\/strong>
\n1895,9 Charles Rouch<\/strong>
\n1898,7 Jean Goudezki <\/strong>
\n1901,4 1901,5 Charles-Adolphe Cantacuz\u00e8ne<\/strong>
\n1903,1 Henri Fischer<\/strong>
\n1914,10 A. de Bessancourt<\/strong>
\n1915,1-5 Sylvain Lefaune<\/strong>
\n1926,7 Adrien V\u00e9ly<\/strong>
\n1930,5 ?<\/strong>
\n1932,2 Charles-Adolphe Cantacuz\u00e8ne<\/strong>
\n1939,2 Ren\u00e9 Lacube<\/strong>
\n1971,2 Ren\u00e9 Chauvelot<\/strong>
\n1985, 1 & 11-13 Ren\u00e9 Nelli<\/strong>
\n1992,4 Henri Bellaunay<\/strong><\/p>\n

Autres m\u00e8tres rares <\/strong><\/p>\n

Le choix ne refl\u00e8te pas la r\u00e9alit\u00e9 quantitative de l\u2019emploi de ces m\u00e8tres<\/p>\n

2 syllabes<\/span><\/p>\n

1862,1-2 Eug\u00e8ne Vignon<\/strong>
\n1867,7 L.V.H. Morenon<\/strong>
\n1872,19 Rimbaud<\/strong>
\n1879,6 Georges Garnier<\/strong>
\n1880,6 Narzale Jobert <\/strong>
\n1881,15 Henri Issanchou<\/strong>
\n1885,13 Jules Laforgue <\/strong>
\n1890,32 Henri Chevallier<\/strong>
\n1907, 4-5 Guillaume Apollinaire<\/strong><\/p>\n

3 syllabes<\/span><\/p>\n

1838,2 Jules Lacroix<\/strong>
\n1845,3 Banville<\/strong> ou\/et Baudelaire<\/strong>
\n1845,6 Auguste Vacquerie<\/strong>
\n1880,2 Jules Lema\u00eetre<\/strong>
\n1883,21 & 22 Rodolphe Darzens<\/strong>
\n1924,9 M\u00e9lot du Dy<\/strong>
\n1926,6 Henry Becque<\/strong>
\n1981,5 Pierre Gripari<\/strong><\/p>\n

4s<\/span><\/p>\n

1837,2 Julien Travers<\/strong>
\n1846,4 Th\u00e9odore de Banville<\/strong>
\n1890,28 \u00ab\u00a0Gel\u00e9e Trouvee\u00a0\u00bb<\/strong>
\n1993,14 Andr\u00e9 Velter<\/strong><\/p>\n

Je n\u2019\u00e9num\u00e8re pas les textes en 5,6 ou 7 syllabes. Sans \u00eatre tr\u00e8s fr\u00e9quents, ils sont nettement moins rares que les autres.<\/p>\n

9s<\/span><\/p>\n

1845,7 Hip. Floran <\/strong>
\n1880,7 & 8 Narzale Jobert<\/strong>
\n1884,13 Paul Verlaine<\/strong>
\n1889,21 Verlaine<\/strong>
\n1890,20 Karl Bo\u00e8s<\/strong>
\n1890,33 Verlaine<\/strong>
\n1891,4-7 Pierre Lou\u00ffs<\/strong>
\n1901,1 Charles-Adolphe Cantacuz\u00e8ne<\/strong>
\n1903,7 Dr Abdullah-Djevdet-Bey<\/strong>
\n1920,11 Paul Val\u00e9ry<\/strong>
\n1985,6 Maurice Regnaut<\/strong><\/p>\n

11s<\/span><\/p>\n

1866,11 Eug\u00e8ne de Lonlay<\/strong>
\n1880,10 Narzale Jobert <\/strong>
\n1881,6 1884,9 & 12 Paul Verlaine <\/strong>
\n1886,5 No\u00ebl Loumo<\/strong>
\n1891,25 Georges Suzanne<\/strong>
\n1895,16 Verlaine<\/strong>
\n1897,21 Alfred Jarry<\/strong>
\n1900,16 Nathalie Clifford-Barney<\/strong>
\n1901,2 Charles-Adolphe Cantacuz\u00e8ne<\/strong>
\n1910,7 Paterne Berrichon<\/strong>
\n1942,4 Raymond Queneau<\/strong>
\n1969,5 d’un membre de l’Oulipo <\/strong>
\n1990,5 Jacques R\u00e9da<\/strong><\/p>\n

13s<\/span><\/p>\n

1880,14 Narzale Jobert<\/strong>
\n1884,10 Paul Verlaine<\/strong>
\n1891,24 Maurice Quillot<\/strong>
\n1913,12 Andr\u00e9 Breton<\/strong>
\n1928,3 Catherine Pozzi<\/strong><\/p>\n

14s<\/span><\/p>\n

1841,2 Paul Ackermann<\/strong>
\n1874,23 Verlaine<\/strong>
\n1880,15 Narzale Jobert<\/strong>
\n1890,7 & 91,34 Verlaine <\/strong>
\n1893,5 Romain Coolus<\/strong>
\n1900,17 Nathalie Clifford-Barney<\/strong>
\n1919,7 Henry C\u00e9ard<\/strong>
\n1926,1 Emile Cottinet<\/strong>
\n1976,1 1983,1 1993,2 & 7-11 William Cliff<\/strong>
\n1990,3 Jacques R\u00e9da <\/strong>
\n1993,2 & 7\u00e011 William Cliff<\/strong><\/p>\n

15s<\/span><\/p>\n

1880,16 Narzale Jobert<\/strong>
\n1990,2 Jacques R\u00e9da<\/strong><\/p>\n

16s<\/span>
\nun \u2018unicum\u2019<\/p>\n

1880,17 Narzale Jobert<\/strong><\/p>\n

Deux m\u00e8tres distincts au moins<\/strong><\/p>\n

La combinaison principale est celle qui associe l\u2019alexandrin et l\u2019octosyllabe. Je signale les autres, en indiquant le m\u00e8tre dominant en premier. Les exemples \u00e0 3 m\u00e8tres sont fort rares et tardifs.
\n
\n<\/strong>12-6<\/em>
\n1808,4 Stanislas de Boufflers<\/strong>
\n1828,1 Casimir Delavigne<\/strong>
\n1836,2 Alfred Rousseau<\/strong>
\n12-10<\/em>
\n1838,4 Th\u00e9odore Carlier<\/strong>
\n1838,15 Edouard-L. de Blossac<\/strong>
\n1840,16 Sainte-Beuve<\/strong>
\n8-12<\/em>
\n1842,1 Alfred Philibert<\/strong>
\n1842,5 Anatole de Montesquiou<\/strong>
\n8-10<\/em>
\n1843,11 Th. Wains-des-Fontaines<\/strong>
\n1845,3 Banville<\/strong> ou\/et Baudelaire<\/strong>
\n1846,2 Philoth\u00e9e o’ Neddy<\/strong>
\n1848,5 Eug\u00e8ne Debons<\/strong>
\n8-6<\/em>
\n1855,1 Marc du Velay<\/strong>
\n1857,18 Baudelaire<\/strong>
\n1869,7 Henri Cantel<\/strong>
\n8-5<\/em>
\n1869,19 Louis Veuillot<\/strong>
\n1869,36 Charles Coligny<\/strong>
\n1870,1 Louis de Veyri\u00e8res<\/strong>
\n1871,1 Josephin Soulary<\/strong>
\n1872,34 Cabaner<\/strong>
\n1873,5 Joseph Autran<\/strong>
\n1873,26 Tristan Corbi\u00e8re<\/strong>
\n8-5<\/em>
\n1873,30 Tristan Corbi\u00e8re<\/strong>
\n1874,2 Auguste de Vaucelle<\/strong>
\n1874,4 Th. Richard-Baudin<\/strong>
\n1874,13 Cabaner<\/strong>
\n1874,20 L\u00e9on Duvauchel<\/strong>
\n1874,22 Gustave Mathieu<\/strong>
\n1875,1 Adrien Brun<\/strong>
\n1876,4 Emile N\u00e9grin<\/strong>
\n1879,19 Cabriol<\/strong>
\n8-12<\/em>
\n1885,5 Ernest d’Hervilly <\/strong>12-2<\/em>
\n1886,11 Germain Nouveau <\/strong>12-6<\/em>
\n1888,10 Charles Cros <\/strong>7-5<\/em>
\n1895,4 F.H. Baudry <\/strong>10-5<\/em>
\n1895,14 Alban Roubaud <\/strong>8-12<\/em>
\n1899,1 Andr\u00e9 Goh\u00e9 <\/strong>5-2<\/em>
\n18901,11 Jos\u00e9 -Maria de H\u00e9r\u00e9dia<\/strong>
\n1902,10 F.A Cazals <\/strong>12-4-8<\/em>
\n1912,7 Louis Mandin <\/strong>12-14<\/em>
\n1915,7 Apollinaire <\/strong>8-4<\/em>
\n1924,5 Tristan Der\u00e8me <\/strong>8-6<\/em>
\n1928,1 Catherine Pozzi <\/strong>12-6-10<\/em>
\n1931,1 Robert Desnos <\/strong>6-12<\/em>
\n1944,7 Henri Thomas <\/strong>8-6<\/em>
\n1954,8 Jean S\u00e9nac <\/strong>10-8-12<\/em>
\n1966,8 Roland Dubillard <\/strong>12-8-10<\/em>
\n1977,11 Roger Gilbert-Lecomte <\/strong>10-8-11<\/em><\/p>\n

bdn<\/strong><\/p>\n

1883,13 Edmond Haraucourt<\/strong>
\n1895,5 Tony d’Urbino<\/strong>
\n1985,4-5 & 7-8 Maurice Regnaut<\/strong><\/p>\n

PAGE
\nLa disposition \u2018standard\u2019 est en quatre strophes d\u00e9par\u00e9es par des lignes de blanc<\/p>\n

1 Dispositions excentriques<\/strong><\/p>\n

sns<\/em><\/p>\n

53 exemples
\n
\n<\/span>10+4 <\/em><\/p>\n

1826,1 L.M. Perenon<\/strong><\/p>\n

4-4-6\u00a0:<\/em><\/p>\n

1837,3 Auguste Barbier<\/strong>
\n1841,1 N(icolas) Martin<\/strong>
\n1879,21 Charles Cros<\/strong><\/p>\n

4-7-3 <\/em><\/p>\n

1841,4 Aloysius Bertrand<\/strong>
\n1961,4 Jean Queval<\/strong><\/p>\n

8+3+3 <\/em><\/p>\n

1940,2 Olivier Larronde<\/strong><\/p>\n

4-3-3-4 <\/em><\/p>\n

1818,4 Coup\u00e9 de Saint-Donat<\/strong><\/p>\n

4-3-4-3 <\/em><\/p>\n

43,20 Marie-Laure Grouard<\/strong><\/p>\n

4+4+4+2 <\/em>(voir la liste \u00ab\u00a0Shakespeare-Mallarm\u00e9\u00a0\u00bb)<\/p>\n

1871,6 Auguste Barbier<\/strong>
\n1892,9 Henri Michel<\/strong>
\n1907,5 Guillaume Apollinaire<\/strong>
\n1908, 1-3 Andr\u00e9 Fontainas<\/strong>
\n1917,2 Jean Roy\u00e8re<\/strong>
\n1923,2 Jean Roy\u00e8re<\/strong>
\n1927,3 Emile Le Brun<\/strong>
\n928,5 & 6Odilon-Jean P\u00e9rier<\/strong>
\n1949,8Jules Supervielle<\/strong><\/p>\n

4+4+2+2+2 <\/em><\/p>\n

1887,12 Albert Saint-Paul<\/strong><\/p>\n

2 Permutations de strophes<\/strong><\/p>\n

TTQQ= s.rev<\/em><\/p>\n

1839,7 Louis Ayma<\/strong>
\n1855,11 Auguste Brizeux<\/strong>
\n1864,8 Baudelaire<\/strong>
\n1862,3 Eugene Vignon<\/strong>
\n1863,9 T.Quinaud<\/strong>
\n1869,37 Verlaine<\/strong><\/p>\n

L\u2019All\u00e9e<\/span><\/p>\n

Fard\u00e9e et peinte comme au temps des bergeries,
\nFr\u00eale parmi les n\u0153uds \u00e9normes de rubans,
\nElle passe, sous les ramures assombries,
\nDans l\u2019all\u00e9e o\u00f9 verdit la mousse des vieux bancs,
\nAvec mille fa\u00e7ons et mille aff\u00e9teries
\nQu\u2019on garde d\u2019ordinaire aux perruches ch\u00e9ries.
\nSa longue robe \u00e0 queue est bleue, et l\u2019\u00e9ventail
\nQu\u2019elle froisse en ses doigts fluets aux larges bagues
\nS\u2019\u00e9gaie en des sujets \u00e9rotiques, si vagues
\nQu\u2019elle sourit, tout en r\u00eavant, \u00e0 maint d\u00e9tail.
\n\u2014 Blonde en somme. Le nez mignon avec la bouche
\nIncarnadine, grasse et divine d\u2019orgueil
\nInconscient. \u2014 D\u2019ailleurs, plus fine que la mouche
\nQui ravive l\u2019\u00e9clat un peu niais de l\u2019\u0153il.<\/p>\n

1871,6 Jos\u00e9phin Soulary<\/strong>
\n1872,39 Verlaine<\/strong>
\n1873,22 Tristan Corbi\u00e8re<\/strong>
\n1874,1 Achille Servi\u00e8res<\/strong>
\n1874,21 Adrien D\u00e9zamy<\/strong>
\n1875,3 Camille Chaigneau<\/strong>
\n1879,13 Cl\u00e9ment Priv\u00e9<\/strong>
\n1880,27 Louis Audiat<\/strong>
\n1881,4 & 89,7 & 28- 29 Paul Verlaine<\/strong>
\n1893,23 Paul Delair<\/strong>
\n1893,21 Paul Verola<\/strong>
\n1928,4 Gustave Le Rouge<\/strong>
\n1971,3 Ren\u00e9 Char<\/strong>
\n1984,3 Yves di Manno<\/strong><\/p>\n

QTTQ<\/em><\/p>\n

1849,6 Auguste Brizeux<\/strong>
\n1866,1 Louis Goujon<\/strong>
\n1861,8 Baudelaire<\/strong>
\n1871,7 Jos\u00e9phin Soulary<\/strong>
\n1880,27 Louis Audiat<\/strong>
\n1894,12) Verlaine<\/strong>
\n1895,18 Alexis Chavanne<\/strong>
\n1920,16 Jos\u00e9phin Soulary<\/strong>
\n1921,7 Emile Faguet<\/strong><\/p>\n

QTQT<\/em><\/p>\n

1898,12 Paul Reboux<\/strong>
\n1903,8 Andr\u00e9 Tudesq <\/strong>
\n1906,5 Pierre Plessis<\/strong><\/p>\n

(exemples non reproduits dans le choix)<\/p>\n

1862 Eugene Vignon<\/strong> Le pays bleu<\/span> 2
\n1864 Ars\u00e8ne Houssaye<\/strong> – Les cent et un sonnets<\/span> – (ed.1873) 1
\n1866 Louis Goujon<\/strong> – Sonnets. Inspirations de voyage<\/span> – 6
\n1869 Edmond Thiaudi\u00e8re<\/strong> – Sauvagerie<\/span>. Petits po\u00e8mes et sonnets – 1
\nHenri Cantel<\/strong> – Amours et priap\u00e9es<\/span> 6<\/p>\n

Sonnets suivis d\u2019un sonnet renvers\u00e9<\/p>\n

s+s.rev 74,21 Adrien D\u00e9zamy <\/strong>75,2-3 Camille Chaigneau <\/strong>79,13 Cl\u00e9ment Priv\u00e9<\/strong> 922,1 Jean Richepin<\/strong>
\ns.rev +s 93,21 Paul Verola<\/strong><\/p>\n

EXPANSIONS & COMPRESSIONS<\/p>\n

Plus longs que 14 vers<\/strong><\/p>\n

15v<\/em>
\n1808,3 Stanislas de Boufflers<\/strong>
\n1827,3 M.J <\/strong>
\n1873,21 & 26 Tristan Corbi\u00e8re<\/strong>
\n1993,4 Albert Samain<\/strong>
\n1999,12 Guillaume Apollinaire<\/strong>
\n1900,6 Henri Jean-Marie Levet<\/strong>
\n1900,12 Camille Mauclai<\/strong>r
\n1905,12 John-Antoine Nau<\/strong>
\n1957,2 Pierre-Jean Jouve<\/strong>
\n1958,5 Raymond Queneau<\/strong>
\n1965,7 Olivier Larronde<\/strong>
\n1995,1 Jacques R\u00e9da<\/strong><\/p>\n

16v<\/em>
\n1805,1 (Michel de<\/strong>) Cubi\u00e8res, jeune<\/strong>
\n1821,3&4 Madame de Sta\u00ebl <\/strong>
\n1827,2 M.M.J<\/strong>
\n1829,8 Charles Brugnot<\/strong>
\n1840,5 Auguste Barbier<\/strong>
\n1900,14 ?<\/strong>
\n1925,4 Albert Samain<\/strong>
\n1947,5 Henri Thomas<\/strong><\/p>\n

18v <\/em>
\n1819,6Pierre Chas<\/strong><\/p>\n

3Q<\/em>
\n1896,14 Maurice Rollinat<\/strong>
\n1928,2 Catherine Pozzi<\/strong>
\n1933,1 Henri-Philippe Livet<\/strong><\/p>\n

+1Q<\/em>
\n1901,7 El\u00e9onore de M\u00e9rinval<\/strong><\/p>\n

(redoubl\u00e9) <\/em>
\n1839,6 Louis Ayma<\/strong><\/p>\n

(double<\/em>)
\n1873,1 Athanase Forest<\/strong>
\n1893,22 (4Q+3T<\/em>) Paul Verola<\/strong><\/p>\n

triple<\/em>
\n1873,1a Athanase Forest<\/strong><\/p>\n

caudato <\/em>
\n18 54,11 Ferdinand de Gramont <\/strong>
\n1880,26 Jules Christophe<\/strong>
\n1882,13 Alcide Bonneau<\/strong>
\n1912,6 Charles P\u00e9guy<\/strong><\/p>\n

Plus courts<\/strong><\/p>\n

4v <\/em>
\n1897,14 Tristan Bernard<\/strong><\/p>\n

7v (demi-sonnet\u00a0?)<\/em>
\n1949,6 Pierre-Jean Jouve<\/strong><\/p>\n

8v <\/em>
\n1839,16 Antoni Deschamps<\/strong><\/p>\n

10v<\/em>
\n1841,3 Paul Ackermann<\/strong>
\n1937,2 Tristan Der\u00e8me<\/strong><\/p>\n

11v<\/em>
\n1958,3 Pierre-Jean Jouve<\/strong><\/p>\n

13v<\/em>
\n1973,11 Francois Le Lionnais<\/strong><\/p>\n

ORNEMENTS<\/p>\n

Acrostiches<\/strong><\/p>\n

1823,2 J.B. Goug\u00e9<\/strong>
\n1911,7 Jules Durand<\/strong><\/p>\n

Bouts-rim\u00e9s<\/strong><\/p>\n

1823,2 J.B. Goug\u00e9<\/strong>
\n1872,36 Alfred de Larze<\/strong>
\n1872,40 Eug\u00e9nie Marchant<\/strong>
\n1872,41 Le Vicomte C. de R oussillon<\/strong>
\n1902,8 Leconte de Lisl<\/strong>e
\n1953,1-3 Luc Etienne<\/strong>
\n998,2 Luc Etienne<\/strong><\/p>\n

Enigmes<\/strong><\/p>\n

1852,2 M. l’Abb\u00e9 Le Dru<\/strong>
\n1878,4 Charles Soullier<\/strong>
\n1879,12 Ars\u00e8ne Thevenot<\/strong>
\n1890,22 A.Ellivedpac (Capdeville)<\/strong>
\n1890,23 Cirederf Ybl <\/strong>
\n1890,24 Jules Sionville<\/strong>
\n1890,25 \u00ab Black\u00a0\u00bb <\/strong>
\n1890,26 Paul Bourget <\/strong>
\n1890,27 \u00ab G. de Viney\u00a0\u00bb <\/strong>
\n1890,29 \u00ab Gel\u00e9e Trouv\u00e9e\u00a0\u00bb<\/strong><\/p>\n

Sonnet avec <\/strong>refrains<\/strong><\/p>\n

1882,12 Antoine Cros<\/strong>
\n1893,20 Georges Fourest<\/strong>
\n1895,12 Alban Roubaud<\/strong>
\n1897,19 Albert Giraud<\/strong>
\n1901,9 Albert Samain<\/strong>
\n1924,1 Francis Vi\u00e9l\u00e9-Griffin<\/strong><\/p>\n

Sonnets en<\/strong> Argot<\/strong><\/p>\n

1876, 5 & 6 Jean Richepin <\/strong>
\n1889,11 Marcel Schwob <\/strong>
\n1944,15-17 Robert Desnos<\/strong><\/p>\n

Oulipismes<\/strong><\/p>\n

1891,8 Pierre Lou\u00ffs<\/strong>
\n1909,6 Jules de Marthold<\/strong>
\n1962,4 Raymond Queneau<\/strong>
\n1969,3-4 Georges Perec<\/strong>
\n1969,5 Un membre de l’Oulipo<\/strong>
\n1970,4 & 5 Adolphe Haberer<\/strong>
\n1970,7 Jean Queval<\/strong>
\n1972,1 Adolphe Haberer<\/strong>
\n1973,1-5 Jean Queval<\/strong>
\n1973,6-8 Raymond Queneau<\/strong>
\n1973,9 Latis <\/strong>
\n1973,10 Francois le Lionnais<\/strong>
\n1974,1 Yves Gasc<\/strong>
\n1977,1 Georges Perec<\/strong>
\n1977,2 Un membre de l’Oulipo<\/strong>
\n1977,3 Paul Braffort<\/strong>
\n1977,4-10 Georges Perec<\/strong>
\n1981,1 Oulipo<\/strong>
\n1981,2 Claude Berge<\/strong>
\n1981,3 Un membre de l’oulipo <\/strong>
\n1982,2 Henri Deluy<\/strong>
\n1985,3 Maurice Millereau<\/strong> dit Mirall<\/strong> et Georges Th\u00e9ron<\/strong>
\n1987,7 Marcel B\u00e9nabou<\/strong>
\n1997,6 Oulipo<\/strong><\/p>\n

TRADUCTIONS, TRAVESTISSEMENTS<\/p>\n

Le dicton fameux \u00ab\u00a0traduttore- traditorre\u00a0\u00bb peut se traduire par le slogan\u00a0(un lapsus azerty<\/em>): \u00ab\u00a0traductuons\u00a0! \u00bb<\/p>\n

Traductions<\/strong><\/p>\n

P\u00c9TRARQUE<\/span> (j\u2019ai reproduit dans le choix, par priorit\u00e9 des traductions du premiet sonnet du \u2018Canzoniere\u2019 (Rerum Vulgarum Fragmenta)<\/em><\/p>\n

rvf 1<\/em><\/p>\n

1808,2 P.L Ginguen\u00e9<\/strong>
\n1838,9 Mr le chevalier d’Arrighi<\/strong>
\n1842,5 Anatole de Montesquiou<\/strong>
\n1842,8 Ferdinand de Gramont <\/strong>
\n1848,2 Camille Esm\u00e9nard du Mazet<\/strong>
\n1851,4 Alfred de Martonne <\/strong>
\n1862,7 Henri Pell<\/strong>
\n1874,16 Philibert Le Duc <\/strong>
\n1877,3 Joseph Poulenc<\/strong>
\n1884,6 L. Jehan-Madelaine<\/strong>
\n1887,2 J. Casalis & E. de Ginoux<\/strong>
\n1900,10 Hippolyte Godefroy<\/strong>
\n1933,3 Fernand Brisset<\/strong>
\n1936,4 Jacques Langlois<\/strong>
\n1942,5 Pierre Poirie<\/strong>r
\n1945,1 Aragon<\/strong>
\n1983,2 Andr\u00e9 Ughetto <\/strong>& Christine Grill<\/strong>
\n1994,4 Andr\u00e9 Rochon<\/strong><\/p>\n

rvf (autres)<\/em><\/p>\n

1816,2 (cxcvi) L\u00e9once de Saint-Geni\u00e8s<\/strong>
\n(clix) 1819,6 Pierre Chas<\/strong>
\n1827,2 M.M.J<\/strong>
\n1827,3 M.J.<\/strong>
\n1841,11 (cccv) Agathe Baudouin<\/strong>
\n1847,1 (cccxii) Emma M\u00e9hul<\/strong>
\n1848,6 (cccx) Gustave Garrison<\/strong>
\n1854,13 Alphonse de Lamartine<\/strong><\/p>\n

SHAKESPEARE<\/span> (J\u2019ai choisi en premier lieu des versions du sonnet 52)<\/p>\n

sh.52 <\/em><\/p>\n

1857,4 Fran\u00e7ois-Victor Hugo<\/strong>
\n1862,9 M. Guizot<\/strong>
\n1873,32 E. Mont\u00e9gut <\/strong>
\n1900,8 Fernand Henry<\/strong>
\n1927,3 Emile Le Brun<\/strong>
\n1943,3 Fernand Balde sperger <\/strong>
\n1945,2 Andr\u00e9 Prudhommeaux <\/strong>
\n1948,2 Pierre Messiaen<\/strong>
\n1955,4 Pierre-Jean Jouve<\/strong>
\n1959,7 Jean Fuzier<\/strong>
\n1961,3 Henri Thomas<\/strong>
\n1969,6 Jean Rousselot<\/strong>
\n1985,2 Fr\u00e9d\u00e9ric Langer<\/strong>
\n1992,2 Jean Malaplate<\/strong>
\n1995,9 Daniel & Genevi\u00e8ve Bournet<\/strong><\/p>\n

autres<\/em><\/p>\n

1833,5&6 Philar\u00e8te Chasles<\/strong>
\n1837,3 (sh20) Auguste Barbier<\/strong>
\n1839,8 (sh29) Louis Ayma<\/strong>
\n1871,6 Auguste Barbier<\/strong> (sh 66)
\n73,32 (sh 129) E. Mont\u00e9gut<\/strong>
\n1876,10 (sh146) Alfred des Essarts<\/strong>
\n1888,6 ( sh1) Alfred Copin<\/strong>
\n1900,9 (s129) Fernand Henry<\/strong>
\n1942,1 (sh1) Giraud d’Eccle<\/strong>
\n1943,2-4 (sh1) Fernand Baldensperger<\/strong>
\n1945,3 (sh129) Andr\u00e9 Prudhommeaux<\/strong>
\n1955,1 (sh1) ,2 (sh20) Pierre-Jean Jouve<\/strong>
\n1961,2 (sh20)Henri Thomas<\/strong>
\n1967,1(sh1) Igor Astrow<\/strong>
\n1990,5 (sh20) Jean-Fran\u00e7ois Peyret<\/strong><\/p>\n

VARIOUS<\/span><\/p>\n

1821,3&4 (ital) Madame de Sta\u00ebl<\/strong>
\n1823,1 F(id\u00e8le) Delcroix<\/strong> (Le Tasse)
\n1830,10 Adam Mickiewicz<\/strong>
\n1832,6 Jeannet Desjardins<\/strong> (Drummond)
\n1834,4 Firmin Didot<\/strong> (Sainte Th\u00e9r\u00e8se)
\n1839,10 Kervyn de Lettenhove<\/strong> (Milton)
\n1839,16 Antoni Deschamps<\/strong> (ital)
\n1840,16 Sainte-Beuve<\/strong> (Sainte Th\u00e9r\u00e8se)
\n1842,19 Xavier Marmier<\/strong> (Uhland)
\n1845,12 Auguste Desplaces<\/strong> (Thomas Moore)
\n1851,8 (Camoens) Albert Richard d\u2019Orbe<\/strong>
\n1882,13 (l\u2019 Ar\u00e9tin) Alcide Bonneau<\/strong>
\n1930,4 (Lope de Vega) G.Boussagol<\/strong>
\n1961,5 (Michel-Ange) Georges Ribemont-Dessaignes<\/strong>
\n1962,3 (Dante) Pierre-Jean Jouve<\/strong>
\n1965,6 (Neruda) Jean Marcenac & Andr\u00e9 Bonhomme<\/strong>
\n1980,1 (Gongora) Claude Esteban<\/strong>
\n1980,2 (Quevedo) Claude Esteban<\/strong>
\n1980,3 (Vallejo) Claude Esteban<\/strong>
\n1987,1 (Rilke) Roger Lewinter<\/strong>
\n1989,7 (Villamediana) Robert Marteau<\/strong>
\n1990,7-8 (Keats) Robert Davreu<\/strong>
\n1997,1-2 (Vallejo) Florence Delay<\/strong>
\n1997,3 (Gongora) Philippe Jacottet<\/strong><\/p>\n

A la mani\u00e8re de<\/strong><\/p>\n

1886,22 ?<\/strong>
\n1888,20 &23 ?<\/strong>
\n1888,30 Louis Pilate de Brinn’Gaubast<\/strong>
\n1908,7 Paul Reboux & Charles M\u00fcller<\/strong>
\n1913,7-8 Paul Reboux et Charles M\u00fcller<\/strong>
\n1913,9-10 Charles Derennes, Charles Perrot, Pierre Benoit<\/strong>
\n1918,11 Georges de La Fouchardi\u00e8re<\/strong>
\n1948,3 Jules Lema\u00eetre<\/strong>
\n1954,9 \u00ab\u00a0Un escholier\u00a0de Louvain\u00a0\u00bb<\/strong>
\n1992,4-7 Henri Bellaunay<\/strong>
\n1996,3-5 Henri Bellaunay<\/strong><\/p>\n

COUSINS, COUSINES<\/p>\n

Il s\u2019agit de formes voisines de celles du sonnet<\/p>\n

Forme Lorrain<\/em>
\n1883,1 & 1887,1 Jean Lorrain <\/strong><\/p>\n

sonettin<\/em>
\n1891,15 ?<\/strong><\/p>\n

sans nom<\/em>
\n1942,2-3 Raymond Queneau<\/strong><\/p>\n

irrationnels<\/em>
\n1965,1-5 & 973,12 Jacques Bens<\/strong><\/p>\n

TROIS LISTES PARTICULI\u00c8RES<\/p>\n

1 Sonnet sur le sonnet<\/strong> – d\u00e9s le dix-septi\u00e8me si\u00e8cle, sous l\u2019influence de l\u2019Espagne, une vari\u00e9t\u00e9 de sonnets appara\u00eet\u00a0: des sonnets qui parlent de la forme sonnet elle-m\u00eame. Ils prolif\u00e8rent en France au dix-neuvi\u00e8me si\u00e8cle, comme en Angleterre et en Espagne. Il existe deux anthologies qui en rassemblent un nombre important d\u2019exemples\u00a0: l\u2019une de sonnets anglais de ce type, datant de la fin du dix-neuvi\u00e8me si\u00e8cle\u00a0; l\u2019autre, r\u00e9cente de sonnets espagnols.<\/p>\n

cap 1<\/em><\/p>\n

1814,1 J. Blondeau (de Commercy)<\/strong>
\n1818,2 A. Poujol<\/strong>
\n1822,1 Fran\u00e7ois de Neufchateau<\/strong><\/p>\n

cap2<\/em><\/p>\n

1829,5 Sainte Beuve<\/strong><\/p>\n

cap3<\/em><\/p>\n

1835,4 Emile Pehant<\/strong>
\n1838,1 Jules Lacroix<\/strong>
\n1839,2 Emile Pehant<\/strong>
\n1839,5 Louis Ayma<\/strong>
\n1839,12 Auguste Desplaces<\/strong>
\n1839,17 M. Courtois<\/strong>
\n1841,1 N(icolas) Martin<\/strong>
\n1842,7 Th\u00e9odore de Banville<\/strong>
\n1843,2 Mollevault<\/strong>
\n1843,3 Gustave Levavasseur<\/strong>
\n1844,4 Louis Ullbach<\/strong><\/p>\n

cap4<\/em><\/p>\n

1851,3 Paul Deltuf<\/strong>
\n1854,1 Ernest Prarond<\/strong>
\n1855,1 Marc du Velay<\/strong>
\n1855,9 Emile Grimaud<\/strong>
\n1855,10 Auguste Brizeux<\/strong>
\n1856,2 Louis Griveau<\/strong>
\n1856,3 Henry Weger<\/strong><\/p>\n

cap5<\/em><\/p>\n

cap6<\/em><\/p>\n

1868,3 Fran\u00e7ois.Fertiault<\/strong>
\n1868,4 Messire-Jean<\/strong>
\n1869,4 Georges Garnier<\/strong>
\n1869,22 & 23 Louis Veuillot<\/strong><\/p>\n

cap7<\/em><\/p>\n

1872,27 R. Agn\u00e8s<\/strong>
\n1872,29 Albert Millaud<\/strong>
\n1872,42 Louis Monneret<\/strong>
\n1873,4 Joseph Autran<\/strong>
\n1873,18 Tristan Corbi\u00e8re<\/strong>
\n1874,2 Auguste de Vaucelle<\/strong>
\n1874,4 Th. Richard-Baudin<\/strong>
\n1874,13 Cabaner<\/strong>
\n1874,19 L\u00e9on Duvauchel<\/strong>
\n1875,1 Adrien Brun<\/strong>
\n1874,22 Gustave Mathieu<\/strong>
\n1875,6 Gaston Schefer<\/strong>
\n1876,1 Auguste Creissels<\/strong>
\n1876,13 Eug\u00e8ne Lambert<\/strong><\/p>\n

cap8<\/em><\/p>\n

1877,2 Henri-Charles Read<\/strong>
\n1877,7 Louis Guibert<\/strong>
\n1878,3 Charles Soullier<\/strong>
\n1878,5 Marius Bonnefoy<\/strong>
\n1879,10 de Berluc-Perussis<\/strong>
\n1881,1 Arthur Breton<\/strong>
\n1881,14 Forgemol de Bostqu\u00e9nard<\/strong>
\n1882,14 & 15 Eug\u00e8ne Manuel<\/strong>
\n1882,16 Alexandre Piedagnel<\/strong>
\n1883,9 Charles Fournier<\/strong>
\n1883,27 E. Chalamel<\/strong>
\n1884,7 Joseph Roy<\/strong>
\n1884,9 Paul Verlaine<\/strong>
\n1885,16 & 17 Emile Maze<\/strong>
\n1885,18 Ernest Chabroux<\/strong><\/p>\n

cap9<\/em><\/p>\n

1886,3 Jacques Villebrune<\/strong>
\n1886,8 Monnier de la Motte<\/strong>
\n1887,5 Antoine de Bengy-Puyvall\u00e9e<\/strong>
\n1887,6 Armand Masson<\/strong>
\n1889,14 Emile Bergerat<\/strong>
\n1889,18 Bernard d\u2019Erm<\/strong>
\n1889,19 Henri Finist\u00e8re<\/strong>
\n1891,11 Gaston S\u00e9n\u00e9chal<\/strong>
\n1891,12 Henri Meilhac<\/strong>
\n1891,32 Emmanuel Gosselin<\/strong>
\n1892,11 Jules Baudot<\/strong><\/p>\n

cap10<\/em><\/p>\n

1896,3 Auguste Angellier<\/strong>
\n1896,7 Henry Jean-Marie Levet<\/strong>
\n1899,2 Joseph Serre<\/strong>
\n1899,3 Paul Romilly<\/strong><\/p>\n

cap11<\/em><\/p>\n

1900,4 Ars\u00e8ne Vermenouze<\/strong>
\n1902,1 Louis Le Roy\u00a0?<\/strong>
\n1902,2 Saint-Georges de Bouh\u00e9lier<\/strong>
\n1902,5 Edouard d’Herville<\/strong>
\n1902,7 Jean Du Sandillat<\/strong>
\n1903,6 L.D. Bessi\u00e8res<\/strong>
\n1905,3 L\u00e9on Duvauchel<\/strong>
\n1906,4 Fagus<\/strong>
\n1907,1 Joseph Corrard<\/strong>
\n1908,6 Emmanuel Signoret<\/strong><\/p>\n

cap12<\/em><\/p>\n

1920,1 Gauthier-Ferri\u00e8res<\/strong>
\n1928,10 Mathilde Delaporte<\/strong>
\n1929,1 Henri de R\u00e9gnier<\/strong>
\n1930,4 G.Boussagol<\/strong>
\n1933,5 H Ren\u00e9 Lafon<\/strong>
\n1936,1 Michel Seuphor<\/strong><\/p>\n

cap13<\/em><\/p>\n

1944,10 Robert M\u00e9lot du Dy<\/strong>
\n1949,1 Tristan Klingsor<\/strong>
\n1952,2 Jean-Victor Pellerin<\/strong>
\n1954,5-6 Guillevic<\/strong>
\n1958,7 Raymond Queneau<\/strong><\/p>\n

cap14<\/em><\/p>\n

1971,1 Ren\u00e9 Chauvelot<\/strong>
\n1972,2 Pierre Albert-Birot<\/strong>
\n1988,5 Pierre Gripari<\/strong>
\n1993,15 Andr\u00e9 Velter<\/strong><\/p>\n

2 Le bouquet inutile<\/strong><\/p>\n

CADILHAC D\u00e9sir\u00e9 1838,7
\nCHAPEAU Alcide 1890,28
\nCOSNARD Alexandre 1843,26 1857,1
\nFROUSSARD Victor 1879, 24
\nISSANCHOU Henri 1881,15
\nLACRAMPE, Victor 1863,12
\nLA MORVONNAIS Hippolyte de 1838,8
\nMIGRENNE Alfred 1890,6
\nPASSEREAU Aim\u00e9 1901,13
\nPASS\u00c9RIEU Henri 1878,4
\nPINARD Albert 1886,26
\nPOULAILLER Michel 1869,3
\nPETASSE Joseph 1842,4 & 1857,2
\nRAMBOSSON Ivanhoe 1891,28
\nSORBETS Charles 1863,10
\nTHOURON G.C. 1895,6
\nTOUPET Alexandre 1963,11
\nTRICOT D\u00e9sir\u00e9 1845,1<\/p>\n

3 Les Variations Arvers<\/strong><\/p>\n

1833,1 Le fameux sonnet<\/p>\n

1859 trad Longfellow
\n1881,16 C\u00e9cile Coquerel
\n<\/strong>incise 1885,2
\n1897, 10-12 Louis Aigoin<\/strong>
\n1897,13 Raoul Ponchon<\/strong>
\n1897,14 Tristan Bernard
\n<\/strong>1898,8 Jean Goudezki
\n<\/strong>1899,15 LouisFr\u00e9chette<\/strong>
\n1906,2 Jules Renard<\/strong>
\n1911,4 ?
\n<\/strong>1911,5 E.Feld
\n<\/strong>1912,10 Laurent Mongin
\n<\/strong>1918,7 & 8 L\u00e9o Claretie<\/strong>
\n1926,5 Maurice Donnay
\n<\/strong>1928,11 Hugues Delorme<\/strong>
\n1931,3 Jean Goudezski<\/strong>
\n1931,4 Edmond Picard
\n<\/strong>1931,9 Jean Bastia<\/strong>
\n1933 11 Armand Masson
\n<\/strong>1948,3 Jules Lema\u00eetre<\/strong>
\n1955,5 ?<\/strong>
\n1957,4 madame Calliot-Bonnat<\/strong>
\n1957,5 Georges Poucet<\/strong>
\n1970,8 \u00e0 10 Antoine Pol<\/strong>
\n1987,9 Jacques Jouet<\/strong>
\n1998,3 Luc Etienne<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

1 Liste des premiers quatrains Pour chaque type de quatrains du dispositif formel, je note dans cette liste le premier exemple rencontr\u00e9 dans le choix. On remarque (i) Tous les quatrains b\u00e2tis sur les deux m\u00eames rimes (Q1 \u00e0 Q18) sont attest\u00e9s (ii) Il en est de m\u00eame des quatrains \u00e0 quatre rimes (Q55 \u00e0 … Continuer la lecture de Chapitre 3 \u2014 Listes<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":98,"menu_order":4,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-11681","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/pages\/11681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/comments?post=11681"}],"version-history":[{"count":2,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/pages\/11681\/revisions"}],"predecessor-version":[{"id":11683,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/pages\/11681\/revisions\/11683"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/pages\/98"}],"wp:attachment":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/media?parent=11681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}