{"id":3706,"date":"2011-02-10T05:46:50","date_gmt":"2011-02-10T05:46:50","guid":{"rendered":"http:\/\/blogs.oulipo.net\/qc\/?p=3706"},"modified":"2011-03-20T07:49:52","modified_gmt":"2011-03-20T07:49:52","slug":"1891-2","status":"publish","type":"post","link":"https:\/\/blogs.oulipo.net\/qc\/2011\/02\/10\/1891-2\/","title":{"rendered":"Les femmes laides qui d\u00e9chiffrent des sonates \u2014 1891 (2)"},"content":{"rendered":"<p>&#8211; <strong>Laurent Taihade<\/strong> &#8211; <em>Au pays du muffle<\/em> &#8211; Ballades et quatorzains &#8211;<\/p>\n<p><span style=\"text-decoration: underline\">Place des Victoires<br \/>\n<\/span><br \/>\nLes femmes laides qui d\u00e9chiffrent des sonates<br \/>\nSortent de chez Erard, le concert termin\u00e9<br \/>\nEt, sur le trottoir gras, elles heurtent Phryn\u00e9<br \/>\nOffrant au plus offrant l&rsquo;or de ses fausses nattes.<\/p>\n<p>Elles viennent d&rsquo;ou\u00efr Stanislas Talapoint,<br \/>\nLe pianiste hongrois que <em>Le Figaro<\/em> vante,<br \/>\nEt, tout en se disant du mal de leur servante,<br \/>\nElles tranchent un cas douteux de contrepoint.<\/p>\n<p>Des messieurs r\u00e9sign\u00e9s \u00e0 qui la force manque<br \/>\nLes suivent, approuvant de leur chef d\u00e9j\u00e0 m\u00fbr,<br \/>\nIls eussent pr\u00e9f\u00e9r\u00e9 le moindre saltimbanque.<\/p>\n<p>Leur silhouette court, falotte, au ras d&rsquo;un mur,<br \/>\nCependant que Louis, le vainqueur de Namur,<br \/>\nS&rsquo;obstine \u00e0 regarder les portes de la Banque.<\/p>\n<p>Q63 &#8211; T21<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; Laurent Taihade &#8211; Au pays du muffle &#8211; Ballades et quatorzains &#8211; Place des Victoires Les femmes laides qui d\u00e9chiffrent des sonates Sortent de chez Erard, le concert termin\u00e9 Et, sur le trottoir gras, elles heurtent Phryn\u00e9 Offrant au plus offrant l&rsquo;or de ses fausses nattes. Elles viennent d&rsquo;ou\u00efr Stanislas Talapoint, Le pianiste hongrois &hellip; <a href=\"https:\/\/blogs.oulipo.net\/qc\/2011\/02\/10\/1891-2\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Les femmes laides qui d\u00e9chiffrent des sonates \u2014 1891 (2)<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1357,1102,1128],"tags":[],"class_list":["post-3706","post","type-post","status-publish","format-standard","hentry","category-malh","category-q63","category-t21-cdc-ddc"],"_links":{"self":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/posts\/3706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/comments?post=3706"}],"version-history":[{"count":5,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/posts\/3706\/revisions"}],"predecessor-version":[{"id":10705,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/posts\/3706\/revisions\/10705"}],"wp:attachment":[{"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/media?parent=3706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/categories?post=3706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.oulipo.net\/qc\/wp-json\/wp\/v2\/tags?post=3706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}